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NOSValves

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This is on its way SET with hair on its XXXXX

6336amp.jpg

6336bottom640.jpg

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The high voltage comes off the transformer and integral V-twin rectifiers,

and is tuned up slightly with a small cap before being filtered through

the large 10H choke mounted up top. Then it goes to the 3500 uF Sprague

Powerlytic cap, which is a 450V cap seeing less than 300V for long life.

Then it goes to the filter chokes for the drive stage and the output

stage. In the case of the output these are the big 10H chokes slung underneath,

and are the parafeed chokes. Each of them feeds a plate which has an output

transformer stood off from ground by a 100 uF Solen cap to the top of the

cathode resistor for that side of the 6336A. This is kind of like a 100 uF

cathode bypass cap except that it puts a little local negative feedback

into the output stage for a stronger, tighter presentation. The drive stage is

SRPP 5965A tubes with both channels going through each

tube and the 6.3V supply for the top tube floated up to about 200V, as I

recall. Properly done, at any rate. The bottom 5965A shares the 6.3V

supply with the 6336A, and is floated up to 20 or 30V as I recall. The drive

stage couples to the 6336As through 4uF Sprague Black Beauty caps. I listened

to a WHOLE LOT of caps in this position. Trust me, this is IT!

The grid of the 6336A is DC coupled to ground through a 350H grid choke on

a permalloy core to allow sourcing of positive grid current on peaks. As a

result the amp makes about 10W on peaks instead of the 6W it should

normally make. The way things end up the output taps are about 8, 4, and 2 Ohms.

The two switchable inputs have an OFF center position and go into a 100kOhm

audio-taper stereo pot, a cheap Alps. This goes to the grids, which have Allen

Bradley grid stopper resistors that proved absolutely necessary for proper

functioning. For safety there are also grid resistors of high value to

ground, so bias isn't lost if the pot fails or develops a conductivity

gap. The big fancy poly-in-oil caps up front are really nice caps and feed the

drive stage. The smooth, organic sound of this amp is a characteristic of

the milled graphite plates of the 6336As. The metal 6336s sound different,

but not as good to me. I truly tweaked this amp for years. I believe it can be

made to sound worse, but probably not better. It excels at natural fleshtones

and is an ideal foil to "mechanical sound".

John Day

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Your right, I was thinking they were, but I just read the Manual, here are the specs

ALL-TUBE monoblock design 10 x EL34EH

High current double 12BH7A driver stage

12AT7WA input tube

BALANCED & UNBALANCED inputs

MUTE switch

TRIODE / TETRODE switching

S0FT-START/ EVER-WARM standby mode

MANLEY Precision output transformer

Factory set for 5 ohms nominal optimum speaker load

Front panel bias measurement and adjust (hiding under the black insert)

Large filter / reservoir capacitors 3800uF x 2

Angled rear of chassis provides for easy connections

WBT binding posts

Input sensitivity: 1V

Gain: 32dB tetrode; 30dB in triode

Input Impedance: 100 Kohm

Output impedance: 0.6 ohm Triode; 0.7 ohm Tetrode

S/N Ratio Ref 1W into 8 ohms: -80 dB; -90dB A-WGT

Dynamic Range: 93dB

FLAT frequency response: 10 Hz - 30 KHz continuous

Power Consumption: 30 Watts in "EVER-WARM"

Full power (tetrode): 250W

Full power (triode): 100W

Dims: W=19". D=13". H=9"

Shipping weight: 73 Ibs. each

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Specifications

Subwoofer: mass-loaded 15" PR, slot-loaded, user-adjustable damping

Lowbass woofer: 15" polypropylene cone, high-compliance, phase-plugged

Midbass woofer: 10" woven carbon fiber cone, phase-plugged

Midrange (dynamic version): (2) planar magnetic Dynaribbons, isolated

Midrange (Special Ribbon Edition): 52" dipole with rear foam damper, 124Hz to 6 kHz

Tweeters (dynamic version): dual 1" critically damped softdomes OR dual 1" Focal metal oxide inverted harddomes OR dual 1" ScanSpeak Revelator softdomes

Supertweeter: spiral ribbon, 15 kHz crossover, with antidiffraction mask

Crossovers (dynamic version): 6 dB/oct at 450Hz, 6 kHz, 15 kHz, in-phase, 100% polypropylene/Axon/Kimber/Wondercaps

Crossovers (Special Ribbon Edition): 124 Hz at 6 dB/oct; 6 kHz & 15 khz at 12 dB/oct

Electronic Crossover (SRE Biamp version): 24dB/oct at 124Hz with 0.01dB level adjustments (10 turn pots); outboard 240,000uF AC power supply

Internal wiring: 10 gauge Powerline II plus for bass, multigauge Teflon-insulated silverplate stranded (mids and tweeters)

Impedance: 4 Ohms nominal, 3.6 Ohms minimum

Power Requirements: 25W to 350W rms into 4 Ohms

Dimensions and Weight: 52"x18.5"x 19" (HxWxD), 220 lbs. (dynamic version)

Dimensions and Weight: 52"x 22.5"x19" (HxWxD), 260 lbs (Special Ribbon Edition)

Cabinet: genuine oak veneer, light or dark oak finish, or satin black, removable black cloth grill: high gloss piano black finish on special order

Sensitivity: 90 dB/1W/1m

Distortion: no more than 0.5 % THD 20Hz to 30kHz with 1W drive

Biamp or fullrange operation switchable with no external crossover required (dynamic version), biwiring or single wiring switchable, OR biamping with external electronic crossover (two amplifiers required)

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Rob, don't sweat it -- you have the perfect duo for VMPS. I predict a tremendous driving yet luscious sound through those ribbons. Man, oh man, I would love to hear that combination. However, If you put those on the Chorus, and think you'll find the sound just a bit steely.

Craig, now THAT's what I call a SET amp! Yowza, the thing actually has a parts count higher than six.:)

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----------------

On 9/9/2004 4:45:36 PM NOSValves wrote:

This is on its way SET with hair on its XXXXX

" As a result the amp makes about 10W on peaks instead of the 6W it should

normally make"

----------------

Are you planning to use it with Klipsch speakers ( they require a minimum power of 20 watts) 2.gif .

Enjoy it.

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Ok, after you guys quit talking in Sanskrit, will you translate all this stuff into something morons like me can understand?

In other words, does it rock, and roll or are you using it for weight lifting instead of barbells. Will it shatter windows and make angels cry?

Inquiring minds want to know.

Seriously, congrats Craig. We've got the pics now we need to know if it will make the Twins dance and get off my back for a change.

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Craig, I am catching heat over in the VMPS forum on my Manley 250 choice. You have read the specs of my speakers and the Manleys, have you read the specs on the Ampzilla monoblocks? They are the same price as the Tubed Manleys but are SS. The veteran forum members are saying the son of ampzilla and ampzillas are far superior in dynamics, soundstage,and control over the Manley stuff. However none have listened to the Neo-Cassic 250s. Any help?

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Tony,

It looks like quite a performer: 30W plate dissipation, very low plate impedance, linear response. There's a Russian tube that Lamm uses that is the output tube for a MIG fighter power supply. Should be fun. Craig, I'm waiting for the review.

Leo

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