Seadog

Yeah. That's why I record it at 9 pm and watch it at 10 pm so I can FF through the commercials. Makes it a 40 minute show.

Nice smoke ring.

Jimmy was pretty cold hearted to Howard. I really liked the extended scenes with Gene at the beginning of the episode.

I saw the Season 4 Comic-Con Trailer yesterday. Season 4 looks interesting. Jimmy will be veering off to the Bad side of course.

Great close up wildlife shot.

No telling what we were discussing, but I do recall that you gave me a Rickie Lee Jones LP that evening. Thanks again! 🙂

Allison Moorer https://www.youtube.com/watch?v=ccw4goG9Vpc Katie Melua https://www.youtube.com/watch?v=mEvfioPpQ0c

I had to go out to 275 miles out from the Dallas/Ft. Worth Metroplex to get a result (Hot Springs). From Google: "Dallas–Fort Worth is the fifth-most-populous North American metropolitan area by population (7,102,796)." Seems like a great opportunity for someone here.

So why would anyone want the speaker wires (okay, cables in this case) going from the amp to the speakers through some kind of a junction box with all the additional contact points, crimps or solder connections, etc.? Maybe there is a good reason.

That was a Happy Gilmore moment if I ever saw one. Considering it was a USGA event and not a PGA event, I was a little surprised he wasn't DQ'd since it was absolutely deliberate. I wonder if they were lenient because the greens were a disaster for most of the tournament? I don't think TW would have been DQ'd if Phil wasn't.

Very nice. Which Micro Nikkor did you use?

I am shocked and saddened. I just now saw this thread. I had the pleasure of meeting and speaking with Scott at this year's pilgrimage. This forum and the Museum have lost a great guy. Condolences to his family and close friends. RIP Scott.

I had both for several years, but I sold the CWIIs. I still have the CWI's in my 5.1 set up (three CWI's in front, Heresys in the rear). The CW IIs were in a 2-channel set up and sounded great. They went to the garage system for a couple of years when I bought Khorns, but I ultimately sold them (they were really too big for my garage). Of course I had to keep the CWIs in my HT for the proper timbre match. I did a lot of A/B comparisons of the CWIs and CWIIs in a 2-channel set up while I had them both. If I had to choose (without regard to the timbre match) it would have been a tough decision. The presentation is a little different. IMO, the CWIIs are a little more "forward" sounding, not brighter, but a little more "in your face". At the same time, the tweeter is a little smoother in the CWII. Ironically, the CWIs sounded a little more "refined" to me. I don't know if the presentation difference is in part because of the speaker batting used in the CWIs (my CWIIs had no batting, basically an empty box with drivers installed). I cannot say one is better than the other, just slightly different. I will also say that I was comparing the stock 1988 CWIIs with my 1979 CWIs that have "P-traps" installed in the networks to kill the 9kHz bump in the K55Vs, and the cast aluminum mid horns are dampened using rope caulk. IMO those are very subtle improvements in the CWI sound.

I don't know about that. It is a business. Klipsch killed off the Cornwall (actually CWII) for about a decade before bringing it back as the CWIII.

I moved to Cornwalls after owning KG4s for 18 years. That first day with the Cornwalls at my house was almost a religious experience. I think I was listening until 4 am on a work night.