joessportster Posted June 29, 2009 Posted June 29, 2009 yea steve it was upsetting, i guess it was at mastering what i heard was glaring top end that made it near impossiable to set thru even a single song, i called the local record shop where i boughtit to inquire if anyone else had expressed quality issues, the ouner aid no previous complaints but that they do occasionally get some bad pressings and allowed me to exchange it for another title ( 180 gram version of U2 joshua tree ) Joe Quote
Islander Posted June 29, 2009 Posted June 29, 2009 yea steve it was upsetting, i guess it was at mastering what i heard was glaring top end that made it near impossiable to set thru even a single song, i called the local record shop where i boughtit to inquire if anyone else had expressed quality issues, the ouner aid no previous complaints but that they do occasionally get some bad pressings and allowed me to exchange it for another title ( 180 gram version of U2 joshua tree ) I just ran into something similar with a Jane Siberry CD. There was a used one and a new one in the rack for only $2 more than the used one, plus the new one was "remastered". I thought it would be better to buy the new one so the artist actually made some money on it instead of just the record store.When I played it first, I was at the computer at the other end of my apartment and it sounded okay, but when I sat in front of the stereo, it was so thin-sounding I stopped it half-way through. I even turned the sub off and on to be sure it was working. Most of her CDs are around $18-25, and this one was only $6.99. Maybe it was a poor seller because of the sound. It's called a collection 1984-1989 and has many of her best songs on it, so it should have been popular. I have her on good-sounding vinyl, as well as on another CD that sounds great, so it was surprising to hear this. At the cheap price, though, I'd be a little embarrassed to take it back and complain like I would about a $20 CD. Quote
jcmusic Posted June 29, 2009 Posted June 29, 2009 I just ordered a copy of (Cream's) Greatest Hit's. Jay Quote
RT FAN Posted July 14, 2009 Posted July 14, 2009 Did some damage at J&R's sale yesterday: Thelonious Monk & John Coltrane Louis Armstrong: The Great American Songbook Joe Pass: George, Ira and Joe Marian McPartland & Friends Piano Duets Benny Carter: The King Benny Goodman: Ken Burns jazz Vince Guaraldi: Greatest Hits Jazz For Lovers Dave Brubeck: The Great Concerts. EmmyLou Harris: Profile Martina McBride: Best of Arthur Fiedler & The Boston Pops: Plays Pops. and a few more I can't recall off the top of my head. all for $6.99 a piece. Quote
gnatnoop Posted July 14, 2009 Posted July 14, 2009 That stylisticdynamic plays itself out in less blatant juxtapositions throughout therest of the album. "You Don't Understand Me" is a classic power-popperreplete with twinkling piano and smooth, layered vocal harmonies, whileraw garage-rock ... Full Descriptionstomper"Hold Up" leaps out with almost savage ferocity. The most rewardingmoments may be the ones where White and Benson collaborate to create afresh-sounding sonic paradigm, as on "The Switch and the Spur," atrumpet-punctuated epic that sounds more akin to atestosterone-enhanced Decemberists than anything else. Ultimately,White and Benson honor just enough of their respective pasts to ensurea vital future for the Raconteurs.From the beginning Jack Whiteinsisted that the Raconteurs were a proper band and not just a WhiteStripes side project. The release of CONSOLERS OF THE LONELY, thesecond album by the band he co-leads alongside singer-songwriterBrendan Benson, bears out all parties' commitment to the project. Fromthe very first cut (the title track), the varied musical personalitiesat work here are apparent, as the song moves back and forth between astreamlined, Benson-sung section and a slower, crunchier blues-rocking****** of patented White work.The Raconteurs: Jack White III (vocals, guitar, keyboards); Patrick Keeler (drums, percussion).RollingStone (p.55) - 3.5 stars out of 5 -- "CONSOLERS OF THE LONELY comestogether like a blissfully stoned conversation between White and Bensonabout their favorite bands: Led Zeppelin, the Who, Badfinger. Each ofthem riffs off the other, trading verses and guitar leads on a host ofcompelling stories..."Rolling Stone (p.96) - Ranked #44 in Rolling Stone's 50 Best Albums Of 2008 -- "[A]n ecstatic, fully integrated live band..."Spin(p.108) - 3 stars out of 5 -- "[T]he matchup of White's emotional andmusical volatility and Benson's power-pop jones pays off: 'You Don'tUnderstand Me' plays like a long-lost, bitter Badfinger outtake."Spin(p.47) - Ranked #35 in Spin's "40 Best Albums Of 2008" -- "'Hold Up'and 'Salute Your Solution' are blistering rockers served well by anactual rhythm section..."Entertainment Weekly (p.61) - "TheRaconteurs hitch country and long-haired funk to a boisterousblooze-rock wagon with nary a nod to subtlety or art-school cool." --Grade: B+Uncut (p.99) - 4 stars out of 5 -- "[T]he way that itspans dynamic radio rock, affecting urban blues, garage stompers andblatant Who worship renders it rich enough to be remembered..."Kerrang (Magazine) (p.49) - "Loaded with 1970's guitar slinging bravado, it's a red-blooded rock and roll album..."Pitchfork(Website) - "[With] big hooks and bigger guitars, stuffed arrangements,and plenty of instrumental shock and awe....[A]nother loose,comfortable affirmation of what they do well." 1. Consoler of the Lonely 2. Salute Your Solution 3. You Don't Understand Me 4. Old Enough 5. Switch and the Spur, The 6. Hold Up 7. Top Yourself 8. Many Shades of Black 9. Five on the Five 10. Attention 11. Pull This Blanket Off 12. Rich Kid Blues 13. These Stones Will Shout Quote
Just_Strummin Posted July 14, 2009 Posted July 14, 2009 PFDSOTM QUAD from Australia. Can't wait to play it. Quote
seti Posted July 20, 2009 Posted July 20, 2009 When I am going through bins of records I am usually chanting hank, jordan, scott, johnson, paramount 78's please. This time it paid off I picked up an early Hank Williams Sr album. It was more than I wanted to pay but I couldn't leave without it. I actually drove off twice. I heard my good friend the record collectors voice in my head saying "never leave vinyl you'll only talk about seeing later". The vinyl is ok it has surface noise which actually goes well with the Hank. The only thing that bothered me was 3 pops during I Saw The Light. Good stuff. Quote
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