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hey deano (snipers and the jub envious, STAY AWAY)


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Claude,

Actually a 15" driver is 176.625 sq" and (2) 12" drivers is 226.08 sq" which is 28% more area, which is substantial..

rigma

You are right it is more cone area. Does that include subtraction of the surround suspension (the non-radiating part) on both? I come up with 173 for the 12's vs. 143 for the 15" after subtracting 1.5" for the surround on both. The 12's are still 21% more radiating area and 2 motors, so it's in line with thoughts of improvement, except cost.

Claude

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they are Roy's design for the Jubilee, only with all air core inductors.

It's my understanding that air cores have less DCR than the iron core

types...is it possible that the extra 4ohms you're adding to the

circuit is making up for less resistance in the inductors? And doesn't

changing the value of the resistor slightly change the effective

crossover point too?

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Dean: I've yet to figure it out. Perhaps it is a compliment as you're a respected member of the forum or perhaps some simply want to bust your a$$. I am happy for you & glad you are enjoying your investment.

I'm going to venture to Hope this summer & see if Roy will give me an audition. I'll be packing ribs.

no ribs required....just come on down and lunch will be on me.....

have a blessed night,

roy

Roy,

I sent you an email

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regardless of what others think, i like

the pursuit of good sound and really would like to know what you think

about the jubs, good and bad......hey who knows, maybe we can make some

mods to the system to make it better........i have gotten miketn's,

coyotee-o's, ralph across the pond's, seti's, tonyr's, michael colters'

and various others opinions on the jubs. like i have said on

other thread, i am after performance issues. amplitude changes

are like seasonings; add salt, pepper, what you like but the meal is in

front you......what do you think...

have a blessed night,

roy delgado

.............................................................

Hey Roy

Something I believe might be of some help for

anyone using an Active Crossover/EQ like the DX38 would be the ability

to lower the High Frequencies a slight amount. Since variables like

recordings, room, different type amplifiers(for instance I'm using a

tube amplifier where as you have designed and listened with solid

state) interaction with the K-69-A drivers impedance or even

personal preferences can come into play.

So what I've tried today was to take your

basic paramaters programed into the DX38 for the K402/K-69-A and

subtracted(ie: lowered) each one by (-1db) and saved that to One

Program location on the DX38 and then again I saved to another

Program with every thing lowered this time by (-2db).

This gives me 3 options quickly to taylor the

High Frequencies. It's early but so far in my situation the (-2db

subtraction) seems to much and the (-1db subtraction) seems to be my

preference.

I want to add that at least to my ear if I

vary the level by the DX38 between the two amplifiers for the LF

and HF I'm using (once they have been gain matched) that

just a (.5db change is noticable on vocals) and when the gain is

perfectly matched it is at its optimum to my ears. So for the others

using an active crossover I would make sure your different amps gain

are matched as close as possible for the best sound.

So do you believe this is a good way to very slightly taylor the sound of the HF Horn or would you go about it differently?

mike tn[:)]

Have you done any measurements to verify/quantify what your ears are

telling you? With that fancy ETF and all I would be looking for

resonances and stuff at the frequencies you're attenuating at. Or heck,

maybe it's room related?

I don't want to turn this into an amplifier debate, but I've read from

numerous sources about how SET topologies tend to have a more difficult

time with impedance swings. Namely rises in the frequency response and

resonances at impedance peaks. I've been reading lately about crossover

design techniques that will resonate opposite the driver to cancel out

the effect. Another alternative is to simply use an amp with a higher

damping factor (which will reduce, but not completely eliminate the

problem). There's tradeoffs to every design so I hope I'm not busting

any bubbles by proposing ideas that I'm not an expert on. I'm just

proposing the argument in hopes of learning something. But seeing as

you have a means to measure, I would be curious to see what they

indicate (or if they don't indicate anything).

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they are Roy's design for the Jubilee, only with all air core inductors.



It's my understanding that air cores have less DCR than the iron core
types...is it possible that the extra 4ohms you're adding to the
circuit is making up for less resistance in the inductors? And doesn't
changing the value of the resistor slightly change the effective
crossover point too?

That is what I was wondering about the crossover point Mike, but all the inductors are in parallel in the HF section so I don't see less resistance to the 402.. Maybe Roy will chime and let us know. In my case the DCR is less but I had to go with real big air cores to make it that way. Based on cost iron or SLC have less DCR per dollar and size.

rigma

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With the actives I felt the

bass was a little boomy, that is now gone with the passives. I

don't know if this is due to the active or the fact that I was using a

Crown SS on the LF and now I am using my 300B for the whole

speaker.

Do you have any acoustical treament in the room? Is the boominess

perhaps room related and you're not noticing it as much with the 300B

because it rolls off the low-end. I would be curious to read about your

impressions after employing some acoustical treatment in the room. Or

have you done that already and I just missed it?

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OK - how about order type or

slope type? Big or little slope? I'm trying to get a

crude grasp.

I will have to let Roy or someone else answer that,

I just don't know.

I would defer to Roy too, but it looks like 24dB/octave on both sides

with 2 sets of EQ on the HF and 1 set of EQ on the LF. I just wanted to

chime in and mention that 24dB/octave is considered steep in the pro

audio world. It's certainly not a little slope [;)]

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"It's my understanding that air cores have less DCR than the iron core types.."

It's typically associated with the gauge of the wire used in the inductor.

Partsexpress has good charts for DCR and inductance based on wire size.



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With the actives I felt the
bass was a little boomy, that is now gone with the passives. I
don't know if this is due to the active or the fact that I was using a
Crown SS on the LF and now I am using my 300B for the whole
speaker.





Do you have any acoustical treament in the room? Is the boominess
perhaps room related and you're not noticing it as much with the 300B
because it rolls off the low-end. I would be curious to read about your
impressions after employing some acoustical treatment in the room. Or
have you done that already and I just missed it?

No acoutical treatment yet, that is my next project. I bought the EFT from

http://www.etfacoustic.com/RPlusDSite/index.html

but have not hooked it up yet.

You could be right about the Crown vs. 300B but to me the SET sounds so much better.

rigma

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Rigma---

Are you running the Angela "Model 91" amplifier? Is that the 300B you refer to? If so, I very much doubt the low end is rolled off.

Mark,

Yes, that is what I am using but with an added 10 mh choke and 100 mf cap in the power supply. I don't think roll off is an issue. The boomyness seemed to be(according to RTA) in the range of 80-140 hz, and it is gone with the passive and 300B.

rigma

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