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Why you need 500Wpc for good sound


Islander

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sigh................

And then there's the lowly digital amp. Sadly destined to be an orphan with no one either hating on them or defending them.

Tom

I will defend them!!

The lowly amp that Maron was referring to earlier in this thread is a 10 watt Sonic Impact Super T

BUT HERE'S THE KICKER....I tried it with the upgraded stand alone power supply (PSU) from the Kingrex.

Amazing what a different, stout, stand-alone PSU can do for a digital amp.

I had similar improvements as David Kan did with the Kingrex. Look here:

http://www.6moons.com/audioreviews/kingrex/t20.html

Next, I have a Trends that I'm going to try with the PSU. Should be fun.

Carl.

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sigh................

And then there's the lowly digital amp. Sadly destined to be an orphan with no one either hating on them or defending them.

Tom

I will defend them!!

The lowly amp that Maron was referring to earlier in this thread is a 10 watt Sonic Impact Super T

BUT HERE'S THE KICKER....I tried it with the upgraded stand alone power supply (PSU) from the Kingrex.

Amazing what a different, stout, stand-alone PSU can do for a digital amp.

I had similar improvements as David Kan did with the Kingrex. Look here:

http://www.6moons.com/audioreviews/kingrex/t20.html

Next, I have a Trends that I'm going to try with the PSU. Should be fun.

Carl.

Carl,

I couln't find the review but scroll down the 6moons page to the reviewers section. Check out "Marja and Henk." They look like creepy co-habitating college professors who spend their abundant free time writing audio reviews and seducing overweight gothic girls who are taking their class on Caligula...

post-10861-13819419002832_thumb.jpg

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At 98 db efficiency, you need a 20 dbW amps (100 Watts), if you are going to be able to hit 118 db peaks.

ONLY true when playing a SINGLE FREQUENCY.

Play two different frequencies through the same amp at the 2.83 VRMS (1W each) and you're going to need 5.66 VRMS (4W). In this example, the crest factor is 6dB.

So to hit 118dB peaks that consist of two frequencies, you're going to need 400W with a 98dB speaker.

Let's just say music has a lot more than one frequency playing at a time...though it's not as straightforward of a calculation since all the frequencies aren't playing the same amplitude.

One of the benefits of bi-/tri- amping is that it spreads out the crest factor. So if you've got two frequencies, but each frequency is played through its own amp, then each amp only needs 100W to go just as loud as the 400W amp.

Hmmm....somehow I think I might have done my math wrong...but gotta run so I'll come back to this later....

OK, so I'm only off by 3 db, which is the difference between 200 and 400 watts.............big deal. I do use Tri-amping. Each woofer section (2 per channel) has it's own 200 Watt amp (active lowpass, no chokes), then I run about 80 Watts from the receiver into the mid bass, midrange, tweeter through the passives.

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sigh................

And then there's the lowly digital amp. Sadly destined to be an orphan with no one either hating on them or defending them.

Tom

I will defend them!!

The lowly amp that Maron was referring to earlier in this thread is a 10 watt Sonic Impact Super T

BUT HERE'S THE KICKER....I tried it with the upgraded stand alone power supply (PSU) from the Kingrex.

Amazing what a different, stout, stand-alone PSU can do for a digital amp.

I had similar improvements as David Kan did with the Kingrex. Look here:

http://www.6moons.com/audioreviews/kingrex/t20.html

Next, I have a Trends that I'm going to try with the PSU. Should be fun.

Carl.

Just to prove my point I will be using two of the cheap ones (Sonic Impact) hooked up to an Optima Blue Marine battery on my 4 MWMs cabinets. Since I never see more than 1W peaks on normal listening, this should blow people's minds. Had mine tested at Klipsch HQ in Indy and we concluded that PWK would have like these amps, since they fulfilled his"good 5W amplifier" wish (actually 6W/ch at the low THD end).

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Funny, not ONE of you guys took my point seriously about rating amplifiers in dbWatts. The difference between a 5 and 10 watt amp, a 50 and 100 watt amp, and a 500 and a 1,000 watt amp is EXACLY the same...............only 3 dbW. JC's monster amps are only 3.8 dbW more power than the original 500 Watt amplifier that started this thread. Care to figure out how much more $$$ that extra 3.8 db costs? I think JC put them next to the LS II's just for scale. I can't imagnie him wanting to use those amps on those speakers.

So if you want it DYNAMIC and louder, you can only get it with higher efficiency, and that means horns if you want to get db/Watt speaker efficiency out of the 90's and into the 100's. At 98 db efficiency, you need a 20 dbW amps (100 Watts), if you are going to be able to hit 118 db peaks.With 108 db efficiency speakersyou will only need 10 dbW (10 Watts) to do the same job.So the 98 db guy (Cornwalls come to mind) will need that 100 W amp, The all horn guy will need only 1/10th that amount of power, but he will also get about 1/30th the distortion according to PWK.

With my 4 way all horn stack, I have a level of clarity and detail I never had, even with modified Khorns and LaScalas. I find myself at about 80-85 db at my listening position, with a measured 0.1 Watts input and I DO have 100 Watts per channel (only because it's what came with my receiver), so it even meets Dr. Who's 30 db headroom criteria, but I doubt if I ever even came close to that. This is the lowest distortion setup I have ever had and the micro detail I get is better than headphones.

Rating amps in dbWatts would be an easier way to deal with the power requirement issues, but as long as Marketing has more clout than Engineering, it will never happen.

OK...

What power would be required if you are say crusing along at 5 watts and you have a musical peak,,, say a loud bass drum hit or something... how much more power would you need to reproduce that. Would a low power amp be able to produce that in the time required ?

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Musical peak like a drum whack probably would not be notuced as much as you think,,,But a loud sustaind note would.. It depends if the distortion rises with the music at that time. A good example is on the latest Stereophils CD...It happend there and was not noticed.

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20 db for headroom for musical peaks would mean that you would need double the wattage for each additional 3 db, or:

5 watts x2x2x2x2x2x2 = 320 watts available for peaks.

This is why in PA or industrial applications, it's typical to see 4x the speaker's rated power available for each speaker. Better to have plenty of clean power available for peaks than risk damaging components with distorted clipped signal.

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Seti, was your Tripath one of those $100 Teacs from a while back?

Just curious because if so, I agree with you. I was not that fond of the Teacs as well - the highs were too rolled off and the bass less than stellar.

In comparison, however, the upgraded model of the Sonic Impact amp (Super T) and the Trends 10.1 sound pretty different (much better IMHO) from the Teac even though based on a similar design.

Carl.

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Seti, was your Tripath one of those $100 Teacs from a while back?

Just curious because if so, I agree with you.  I was not that fond of the Teacs as well - the highs were too rolled off and the bass less than stellar.

In comparison, however, the upgraded model of the Sonic Impact amp (Super T) and the Trends 10.1 sound pretty different (much better IMHO) from the Teac even though based on a similar design.

Carl.

Yeah I got the trends 10.1. I tried the upgrade which resulted in me killing it. I had McIntosh mc30s just before and after I picked up the onix sp3. So that was my comparison not really fair but not my thang.

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