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Krispy Kirk

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About Krispy Kirk

  • Rank
    Forum Veteran

Profile Information

  • Gender
  • Location
    Central Appalachia
  • Interests
    Self-sufficiency, homesteading, grandchild-raising, chicken farming, bourbon, firearms of all sorts and styles.
  • My System
    Klipsch...LOTS of Klipsch (ain't that why we're here?) Oh and some tubes and vinyl too!

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  1. Krispy Kirk

    Hi my 2 channel home audio

    An equalizer on a home stereo is like a set of training wheels on your first "big boy" bicycle. You think you need it and you probably do. But as you get more experienced, you should realize that those training wheels are for beginners. Hang around here long enough and you'll learn far more than any person needs to optimize your (otherwise excellent) gear and get beautiful sound. Without the training wheels. Equalizers tend to be a phase we all grow out of fairly early in the hobby. Get the right gear and set it up correctly and there is no need for an equalizer. Now, in the car...that's a whole other deal.
  2. Krispy Kirk


    Remember that sometimes a ceiling isn't really a "ceiling". Take your average "drop ceiling" for instance. If you look up and see a grid of semi-solid white rectangles suspended by a lattice of metal strips, you have a "drop ceiling". Excellent for acoustics but lousy for just about everything else. The "real" ceiling is probably another foot or more above those tiles. At lower frequencies, this is a good thing since there is ample room for longer wavelengths to unfold in your listening space. And at higher frequencies, there is a fair amount of absorption of excessive treble. Regular sheetrock ceilings have some of the same pros/cons. In my experience, just as the "best" sounding floor is not really a "floor" but rather a suspended wooden platform above another space, the best ceiling is often a fake one. Not everything that is overhead is a ceiling.
  3. Krispy Kirk

    Audiophiles Anonymous

    Leaving home for college in the fall of 1983, I just knew deep in my bones that the only way to get my own stereo was to get a job - my first real punch-the-clock job, at minimum wage no less. Which, back then, was a whopping $3.35 an hour. I slaved in the cafeteria in my college dorm for an entire semester until I had enough to buy a basic dorm room system (Technics receiver, Panasonic cassette deck, and big honkin' disco-approved Fisher rack-grade "white woofer" speakers). As I moved through college and my budding audiophilia, several things happened: I ditched cassettes for vinyl, I ditched those Fishers for a sweet pair of ADS L570s, I ditched a series of cheap *** receivers for some genuine audiophile-approved Adcom separates, and <drum roll please> the Compact Disc arrived. I just had to have it. Who paid for all of this? Why YOU did taxpayers! All through the 80s I cashed my student loan and Pell Grant checks every few months not to pay my tuition. Hell no. All that dough - thousands and thousands of dollars of it - bought me ever greater stereos. Until I finally dropped out and enlisted in the military. And then the cycle started all over again (ever heard of an "AAFES stereo"?). Yep, that was me: slave to the sound. I can honestly say that for a decade from the early 80s to the early 90s (when I bought my first Klipsch) all of my expendable income went towards stereo gear and tapes/records/CDs. I slept on the floor, ate ramen, mooched off the girlfriend, yada yada. But the tunes were always cranking. And usually at a relatively high level of quality. Top that you amateurs.
  4. Krispy Kirk

    How to burn CD collection to FLAC

    tigerwoodKhorns: PM sent!
  5. Krispy Kirk

    Getting ready to dip my toe into the world of Tubes

    Get the Jolida. I've owned three different Jolidas (but not the 102) and they've all enjoyed a euphonious synergy with my Forte II's. One word of caution: 20 watts won't seem like enough unless your room is very small or your speakers are very efficient or you listen to strictly 16th century lute music. What do you plan on driving with that JD102B? Also: 15 years is not necessarily "old" for electronics (especially amps). I have unrestored amps, receivers, CD players, and tape decks from the late-80s through 1990s that all work flawlessly (knock on wood). Circa 25-30 years of age is where I start worrying about parts dying and caps drying and that kind of stuff...speakers age noticeably faster imho due to mechanical fatigue, foam dry rot, wear of the furniture finish, and deterioration of glues/adhesives, etc.
  6. Krispy Kirk

    How to burn CD collection to FLAC

    " it's basically becomes back ground music. Like the music you get in a grocery store, or on the radio." Yes, but in my home on my whole-house system, it becomes my background music...with ZERO commercials or DJ blather. When one is entertaining, constantly moving from room to room doing chores, or just chilling out on the deck, there is no substitute for a customized playlist that can be heard anywhere you like (yes, even in the bathroom!) I have stereo pairs of in-wall or in-ceiling speakers (Boston Acoustics, sorry KlipschCo!) in every bedroom, the master bathroom, the kitchen, the dining room, and on hanging under the eaves on the three sides of my deck that wraps around three-quarters of my house. The whole thing is powered by NAD electronics controlled by an HP PC located in the center of the main floor (of three) and there is a volume control on the wall in every room that has speakers. I can play CDs or a tuner through this system, and I sometimes do, but using server software like MediaMonkey is far more convenient. When you're doing something away from your main rig but you still want musical accompaniment, dragging a turntable, amp, and giant speakers around the house is not the best option. Trust me, I know. I used to keep six separate systems in six separate rooms/areas of my house. And then I moved to a new house that was already wired for sound and I was sold. All that extra gear got sold off in a garage sale. But don't get me wrong Thebes. I still maintain a dedicated listening rig in a dedicated listening room. It has a turntable, a tube amp, and Klipsch floorstanders. I typically abhor neo-tech solutions that deliver supposed "convenience" like wi-fi, blu-tooth, siri/alexa/hal, "smart"phones, and any gadget pushed by Apple as they always seem to take more than they give. But if you already have a PC with a decent sized HD, a pile of CDs, and a perhaps a distributed audio system, then ripping those CDs to FLAC (or .wav or any other lossless format) and playing them via software simply can't be beat. Oh, and the smart collector always always always keeps their CDs even after ripping. Just because the music is now on your hard drive doesn't mean you no longer need the source disc. 😉
  7. Krispy Kirk

    How to burn CD collection to FLAC

    tigerwoodKhorns: I am using MediaMonkey on a PC-based whole-house media server based around a pair of TB HDs. I have been gradually ripping my 5,000 CD collection to FLAC and, after a few years, I am almost halfway finished (I rip maybe 20 a week). I would be happy to answer any questions you might have about the process and/or walk you through the process step-by-step. Bottom line: it's easy but time-consuming. Expect an average length CD to take about three minutes to rip/analyze/compress/tag. There are a few potential pitfalls but if you have a fast internet connection you shouldn't have any significant problems tagging your music as you rip. I'm here for ya man!
  8. Krispy Kirk

    Alternative to replace itunes on my Mac

    I'm a big fan of Media Monkey. Try it out for free: http://www.mediamonkey.com/
  9. Krispy Kirk

    Turntable advice

    Some thoughts from 35+ years of pursuing the hobby: 1) All else being equal, a cheap belt drive will beat a cheap direct drive turntable. An expensive direct drive will easily keep up with, and probably surpass, an expensive belt drive turntable. 2) The highest level of objective performance (in numbers as measured by scientific devices) is attainable only with a direct drive turntable. 3) Most, if not all, of the drawbacks to belt drive designs have been eliminated or drastically minimized in the past 30 years or so. 4) Most, if not all, "high end" (audiophile-approved) turntables today are belt drive designs. 5) Belt drive designs are far more tweakable than direct drive designs. This might be one reason why audiophiles prefer them.
  10. Vinyl touching vinyl? I must've been thinking about how it feels to wear my "special outfit" to funny parties...but if rubber is more your thing, wear rubber! But I digress... Here's what I was trying to describe:
  11. As is so often the case in audio, the best <insert tweak or accessory here> is no <insert tweak or accessory here>. Therefore, I'll just say it: the best mat is no mat at all. At most, a mat simply acts as a band-aid to undo some damage being done by the turntable, platter, arm, cartridge, atmospheric humidity, static electricity, etc. Once you master your environment, you might find that no mat sounds the best. But only if you can adjust the VTA/SRA on your arm/headshell. As stated earlier, mats often raise the vinyl to an appropriate height for playback. This is one universally acknowledged benefit of mats. However, as also stated earlier in this thread, a positive clamping system (vacuum, threaded clamping, or mass-loaded weighted) will do more good for your phono playback system than any mat - even the very best audiophile jobs. I would recommend focusing your attention on clamping your records securely to the platter somehow rather than introducing a layer of (potentially sound-muddying) material between the record and the platter. That said, I realize that some platters might have non-smooth surfaces that could damage records. So use a mat. In my experience, cork tends to sound the most neutral although felt and leather are also not without their charms. The new fad in turntable design is vinyl-impregnated platters that require no mat. My Pro-Ject 2Xperience Classic is one such design. The engineers over there in Czecho-Austria decided to melt a bunch of old ABBA albums and bond them to the top of the MDF platters on many of their mid- and upper-tier tables (which mostly all use a threaded spindle clamp as well). I think it's brilliant. Vinyl likes to be touching vinyl. If you ever have a chance to check out a (matless) turntable with a vinyl-coated platter, do it. It's really an ingenious way to put an end to all this debate about mats.
  12. Krispy Kirk

    Factory Klipsch woofers for the forte 2

    Pictures or it never happened. *Also, bashing Bob Crites is not cool. Please stop it.
  13. Krispy Kirk

    Where do you run your tone controls?

    My current amplifier has no tone controls. No balance control either. Best sounding amp I've ever owned!
  14. Krispy Kirk

    How many systems do you have?

    Put me down for six* as well: one 5.2 HT rig in the living room, one dedicated 2CH rig in the main listening room, a 2CH rig in a master bedroom, another one in the garage, one out on the back deck (yes, a complete system - amp, CD, and speakers all outdoors), and another one (100% outdoors) out by the pool. I'm proud to say I run all of these on CD, vinyl, and/or a hi-def device playing FLAC files (FiiO X1) with zero reliance on MP3, Bluetooth, smart phone, Pandora, or wireless streaming of less-than-full-resolution file types. Sound matters far more to me than convenience. *this is not counting three systems in vehicles as well as a 2.1 system on my desk.
  15. Krispy Kirk


    I have a 2Xperience Classic in olive wood with an external Speed Box. It might be the nicest table anyone can buy for under $1500. And I've helped a few buddies pick out their own Debut Carbons. It's hard to go wrong with Pro-Ject - they pack a lot of value into their turntables and they are sold so widely that deep discounts are common. And they use pretty nice OEM cartridges too. Nevertheless, I replaced the stock Blue Point 2 on mine with a Denon DL-110 to get a smoother sound with better frequency extremes. Pro-Ject's phono preamps are not that great of a value in my opinion. I had one and quickly replaced it with the Vincent PHO-8 twin chassis preamp. The main complaint I've heard from Pro-Ject owners is motor hum but I've successfully eliminated it on two different Pro-Ject tables (my other one was an RPM 1.3 "Genie") by adding damping material in and around the motor. Careful placement of the motor is key. Also, make sure you oil the bearing well (a good quality synthetic engine oil works well). You'll know when you've put enough in when a tiny bit leaks out after you drop the platter/spindle in place. A dry spindle bearing will reveal itself as a subtle "grinding" noise audible between tracks and during headphone listening.