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  1. Hi All, I need your assistance. I have purchased Heresys IV two weeks ago and I am looking to upgrade my amlpifier as well. So I am looking for a solid state (maybe hybrid?) to power them. Budget 2000 USD more or less. As you know in this price range there are hundrets of not bad amps on the market and after tons of hours reading on internet I decided to ask here, where people know a bit more on Klipsches pairing. I got my long list already to demo, but I would like shorten this to 3 amps. So any recommendations very highly appreciated. Till now I would think about: 1 Vincent (not sure which one SV 500, 227 MK, or 237MK) 2 Rogue Audio Sphinx V3 (a bit pracey and hard to demo where I live) 3 Unison Research Simply Italy (I have demoed it and I think it is a bit weak on bass, and it is all valve which I do not want becouse of many reasons, placement etc) I think that something which helps H4s slightly in the lower end but not losing the mids and highs is something I look for. ...Easy Thanks P
  2. I have a Klipsch K-77-M in excellent condition with leads; simply drop into your cabinet and go. $80, plus shipping.
  3. I’m an Italian musician and Klipsch Fan, i’m Searching for a pair of Klipsch Heresy Slant Monitors HSM, where can I find a pair of these speakers for sale?
  4. Looking to sell my set of HII Oil Oak. They have been sitting for a while and need to go to a good home and I would prefer they go to a forum member. $500 local pickup Oxford, MS. Titanium Tweeters Crossover with Corbin Dubilier Caps Birch Risers (not pictured) Other Items $100 Bic F12 sub $250 Parasound 2125 V1 Message me if interested
  5. Mostly mid 1970s Heresy I, IIs, LaScalas, Belle and Klipschorn maintenance, sealing, and placement questions Hello Folks: Mostly mid 1970s Heresy I, IIs, LaScalas, Belle and Klipschorn maintenance, sealing, and placement questions I have been reading many of the old, sometimes 20 year old posts. Many of the project and photo links no longer work . Moved into my new house. 1890s, hardwood floors 12-14 foot ceilings and 14 x27 ft main room plus 11 x 14 foot bedroom. Higher floor moldings than the K horn rear cutouts. General questions, some of which I am only asking due to the high cost and / or limited ability to get parts. Pre COVID, I would likely just do these. On all speakers, but do the big boys first: check all caps and replace the spam can caps on all of the larger speakers that were not previously replaced about 15 years ago, post Hurricane Katrina. Should I just contact Bob Crites? I will assume the crossovers, either original Klipsch or ALKs that I built when he sold the kits years ago are otherwise ok. I know I have a LaScala with a blown tweeter. Which replacement is suggested and will xover changes be required? I do have some baby butt JBL tweeters. Not sure if ok with the xovers. Should all cabinets be opened to check seals, gaskets and snug placement of woofers, mids, and tweeters? Re-gasket and reseal as needed – what do folks suggest for replacement gaskets / seals? Or: if it ain’t broke, don’t fix it? Should “O” rings between Alnico or KL drivers and various Klipsch horn components be replaced? If so, with what – just red rubber 25 cent plumber’s O rings? I have never opened any of the large speaker woofer panels / dog houses, etc. I have owned all speakers for about 15-34 years. FWIW I do have 1 set of wooden horn with 1 inch throats I think for the Khorns and a set of JBL radial horns of similar size (still looking for the drivers, lost in a box someplace). Old place had uneven stone floors and crumbly brick walls on 3 sides, plus roof leaks. 17 x 40 uniroom with high sloped ceiling (about 12-17 ft high) and good acoustics. New main room is much smaller, rectangular and without any carpeting or treatments is sonically very harsh. None of the 4 large outside windows work anymore – sealed shut long ago. No idea for the age or “firmness” of the existing plasterboard or drywall, but likely before the 1980s. I do not want to mess the place up making additional 4 x 4 ft 1 in thick plywood wall corners and triangle above the floor to brace things better. This would also likely require screwing the 4 x 4 s above the existing baseboards and floor. For sealing the khorns into a corner, the issue for me is that the baseboard is a few inches taller than the lower Khorn cutout. Should I make some cuts onto the Khorn or simply cut some strips of 1-2 inch wide x 1-2 inch thick pieces of wood and use foam pipe insulation or door seal around them and the rear of the Khorn to make a wall seal on the sides? Some great old posts with pics, like Garyd9 on 2 22 2004 (and many others): https://community.klipsch.com/index.php?/topic/37435-sealing-bass-bin-of-khorn/page/2/. Includes the wood corner braces too. I did not find a consensus on how to seal the top few inches or the bottom few inches in the center rear of the K horn woofer cabinet against the vertical wall corner. Suggestions? For sealing any of the large speakers to the floor (not the Heresy’s I guess) these seem to be representative posts: HDBRbuilder had several posts emphasizing the use of grippers, from Jan 7, 2009: Dr. Who: I would like to remind that if it is NOT grippers, then it may NOT have the same effect. Grippers are peel and stick 1/4" thick NEOPRENE with a traction enhancing non-stick side, which will "squish" somewhat under weight and give a better stability on SMOOTH-SURFACED floors which are slightly uneven. Groomlakearea51Posted March 14, 2007 Yup, pipe insulation works perfectly; You can also use 1/4 size (also comes with the "peel off" tape for the sticky edge). To seal to the floor.... I replaced the factory metal gliders (they will tear up a hardwood floor....) with teflon "gliders", but used more of them, including three "inboard" in the center; then used a piece of 3/16" thick x 3/4" wide closed cell foam weather stripping, but did not peel off the the "floor" side "sticky" cover. Slides around perfectly. Cheap to replace after several "move out for spring cleaning" moves that will tend to wear it off. I'm also debating about doing the same thing on the edges instead of pipe insulation next time around. Easier to trim and gets them very close to the wall. My humble Qs: since the 100+ pound LaScala, Belle, or Khorn is technically on small pieces of squished slightly pliable material, is it really “nailed” to the floor? I found some Scotch 8 gripping pads, 1.5 in diam at Home Depot for about $5.00, SP940-NA, 0-51141 59807-9 bar code. I also looked at some of the kitchen drawer liners at Walmart: https://www.walmart.com/search?q=drawer+liner. Could something like these do the trick? Mostly under $1 per foot. How easy or difficult is it to extract those small metal gliders from the factory? I can see doing this with the grippers and the LaScalas and Belle as 2 folks could move the speakers into place with only mildly destroyed finger tips and knuckles at worst. But why not just remove the metal gliders and place directly on the floor with maybe a few pieces of paper or cardboard or those floor sample freebies from Home Depot or Lowes stuffed under a corner to prevent any issues from uneven hardwood? Or even a few pieces of thin wood directly under the corners or fully under the outer floor edges of speakers and using foam or gasket to seal air around the corners and just leave the metal gliders in place? As for the Khorns, doing the grippers plus sealing the rear woofer cabinet to the wall corner will be a real problem so as not to mess up the floor and our hands. Since folks agree not to place the Khorns on a carpet (carpet plastic bottom to the KH bottom), I was thinking of using very thin wood strips above the floor, maybe ¼-½ in thick. For example, just cut to needed length: from Lowes: ReliaBilt 1/4-in x 2-in x 4-ft Square Unfinished Poplar Board Model #POPSRL142SU04 $3.04 Seems cheap and easy. Could use multiple wood strips both to move the speakers in and out and seal the air around the KH base similar to the vertical corner walls (adding a touch of foam at the triangle corners). Likely a major finger saver too. The metal sliders could be left in place. Would folks foam or weather strip seal the KH bottoms to the floor (if it could even be done) to prevent any movement through the “cracks”? Thx From NOLA with love
  6. For sale in the Phoenix area, a pair of 1984 Heresy oiled walnut, with risers. All original components and crossovers.
  7. I'm feeling committed to this pair of Heresy II's i found used recently. For those that have experience with the ALK universal economy crossover upgrade - does anyone have some guidance to share that will help me optimize / tune these? How have you specifically tuned the crossover & what was the sonic difference?? I'm holed up all winter, so would like some guidance as I play with these. Thank you & Happy New Year!
  8. This is my refurbished pair of spatter paint Heresy speakers along with a small stand I built for a Tascam CD-200 BT disc player/Bluetooth and an early 1970's Sony STR-7045 receiver. I veneered the speakers in white oak veneer, as well as the CD player box, but I used red oak for the stand legs. All pieces are finished with Tru-Oil. I'm very pleased with the results, sonically and visually. At some point I'll duck the Apple TV HDMI cable in the wall. Both the speakers and the stand have adjustable height legs to compensate for the bluestone floor which was laid on an outdoor concrete slab patio, pitched downhill to the left.
  9. One pair of Heresy IIIs - Cherry, SRB, with consecutive serial numbers. Some small dings and scuffs, overall very good condition. They are packed into their original boxes. LOWERING PRICE TO $1000 CASH - 4TH OF JULY SALE!!! Enjoy the speakers Spot!
  10. I recently was gifted a mismatched pair of slant monitors. Cabinets are very solid. Handles are mismatched. Both terminal plates are missing. Both k77s have bad coils. One k55 has push terminals, one has soldered. One k55 coil is bad. HIE x-overs look physically ok. Both k42 (kp?) woofers are in good shape though. SIGH! My gifts are usually like this. My main setup has Heresy IIs and I love them. My question is what the heck to do with the components or rebuild the whole. I have built hundreds of enclosures and passive crossover networks in my career as an audio technician so I am not afraid of a project. From what I understand the woofers roll off pretty high. So maybe new ported enclosure? Bass bin like lascala? What do you think guys?
  11. https://pittsburgh.craigslist.org/ele/d/pittsburgh-klipsch-heresy-hip-stands-amp/7322111412.html Klipsch Heresy HIP speakers from 1980. All drivers & crossover are original. Work and sound fantastic. Could use a paint job. Anthony Audio speaker stands. I had these stands made specifically for these speakers. They are very heavy duty and cost me $250 a few years back. I hate to part with these since Anthony has since passed away but I need the space. Rane MA6 multi channel Amp. This amp is a beast! choose between 6 150W channels or 3 300W channels bridged. Some of the speaker terminals on the back have become striped, so I added banana style jacks for easy hook up. I can throw in my home made cables if desired. Ashly LX308 Stereo Line Mixer. Consider this thrown in at no extra cost. It works fine but the knobs need to be replaced. Ashly still has them in stock if you need them. 2 Klipsch K42 Woofers. These woofers work great and were taken out of a pair of Klipsch KSM floor monitors. I kept these around in case I ever needed to replace a woofer in my Heresys since they uses the same drivers. $650 / Pickup in Pittsburgh https://pittsburgh.craigslist.org/ele/d/pittsburgh-klipsch-heresy-hip-stands-amp/7322111412.html
  12. Optimal Cartridge for a Technics SL 1210: 2M Blue or Bronze, Super OM 30, Denon DL-110, AT 150 series (AT 150MLX or 150Sa), or AT 440 MLa, MlLb or new VM 540? Hi Folks: Not sure where to post this. Let me know if it belongs elsewhere. Most of the info below is tell you folks about me and my gear. You can skip it if you like, as it is a bit detailed. My Technics SL1200 ?M3D is no more. Also gone is the Nigthclub S Cartridge and extra stylus. I still have the Music MMF-5 with a Goldring cartridge (?1024?), from about 10 years ago. It is my bedroom rig in New Orleans, I was never very happy with this, but completely different set up from what is noted below, except for the Onkyo. I work up in the DC area now and I have Klipsch LaScalas for my front speakers, Heresy Is for center and rear and a Fender 18” pro audio ported subwoofer (for which there is virtually no info on the web, nor from Fender). The LaScalas are “bright”, even for LaScalas. Therefore, I really do not need an over “bright” TT cartridge. I have a Pro-Ject - Debut Carbon Esprit SB (DC), 2M Red. It was bought knowing it had some damage and I got a 2M Blue stylus to put on the straight TT arm to replace the mangled Red stylus. It sounds very nice, but I have never had another needle on it. I do not intend to replace it. Also have a Pro-Ject Audio - Tube Box DS – Black phono pre amp. I have never compared this to anything else either. Seems to work fine. I only have a small studio apt now so I use the Tube Box for any / all TTs. Thank goodness for thick walls in an older building !! I use an Onkyo TX SR 805. Also about 10 years old. It is an all in one receiver, but with a very good amp for such a unit. I have acquired 3 additional TTs: Technics SL-1800 (repaired), 1210 MK5 and 1210 M5G (one of the 1210s also got minor repairs locally, the other has a gimpy ?gimble point on the tone arm, but it works fine – for now). (Long story on getting them.) Not sure I want to do the KAB fluid dampers on these now, nor any other modding now. Might consider mods after I get a good needle. They came with various used cartridges including an AT 92E, Stanton Groovemasters, etc. I have no way to know how “used” any of the cartridges and styli are. That said, none sound bad. I would like to have 1 good needle that I can easily interchange between these 3 TTs. Therefore, some sort of plug and play set up would be ideal, whether via a compatible cartridge mounted onto a head shell or a DJ needle, Best reccs for a DJ needle seem to be for the Ortofon Arkiv, but I doubt that it would be as good as any in the post title for regular hifi listening. I mostly listen to Jazz, Blues, 60s/70s rock, Disco, etc. I should also state that many of the dozen or so records I have up in DC now have seen better days and all were bought used. I have cleaned some of them, and yes there was gunk on them. The gunk and scratches were one reason to leave out the Super OM-40, as some web postings said that all the scratches etc are easily noted with the 40. Combined with the horn loaded speakers, I think the sound of nice new vinyl might be great, but most all of my 150+ records in NOLA are from the cheap used bin. I have listened to most of them before buying to make sure that that the records were at least in ok shape. 2M Blue- sounds fine on the Pro Ject and some say it is ok with the SL1200s. $210/165 (cartr/stylus, LP Gear or TTNeedles). It is mounted onto the Pro Ject arm and I am not going to mess with it. However, I would consider a second Blue on a headshell for the Technics TTs. Some really like the Bronze, but I do not know if either Blue or Bronze is a good match for my 3 Technics TTs when compared to the OM 30 or others listed here. $370/290. Super OM 30 gets good comments on the web. However, more postings seem to favor the ATs or Denon. $290/220, so more than Blue, but less expensive than a Bronze. TTN Jico Shibata stylus for OM 10, 20, 30, 40: $160 Super OM 40 might be better for those with high quality records, as I guess you hear every pop and such in the vinyl. Some folks on the web preferred the 30. $385/300. Denon DL-110 is said to be well mated to the 1200 series. However, there is no separate stylus for this cartridge, and setting the mount properly might be difficult. It might also be too bright for my LaScalas and Heresy’s. $200-300 AT 150 series (AT 150MLX or 150Sa) is said to be a real step up from the 440s – but so is the price. I am not really sure how much difference there is from the Sa to the MLX. $270-450/335. Perhaps the bargain, if I could score a Sa for $270 and if the Sa is similar to the MLX. AT has just released the VM740ML, VM750SH and VM760SLC to replace the 150s, but I know very little about them. AT 440 MLa, MlLb or new VM 540 get good reviews. MLb is $199/179 I have a few Mono records, not sure the $90.00 OM D25M is worth it for me. One potential advantage to the OM 30 is if I could get a stylus for the D25M that would work mounted onto the OM30 cartridge. Also note that some plug and play or otherwise premounted to headshell sets are available from some of the web retailers. There were also some comments about how difficult some of these are to set up. Any advice appreciated. From NOLA with love.
  13. I bought a pair of Heresy I’s in 1979 in college that have been w/ me ever since. Type E crossovers, K77 tweeters, K55-V squeaker drivers w/ K700 horns and K-22-E woofers. I replaced the K77s w/ new ones from Klipsch about 20 years ago when I blew them and I replaced the binding posts at the same time so I could use banana plugs and lower gauge speaker cable. Otherwise everything is original. I don’t hear any obvious problems with them, but I want to restore them to their former glory or better. I’ve been reading everything I can find here and at Crites and at ALK but I still have many questions and would appreciate advice. 1) I know I need new caps and since I don’t solder, I plan to replace the crossovers. I could use Crites Type E, which uses the same spec as the original, or ALK’s universal CSW which have some upgrades. A few questions about that: - I understand what Al says about constant impedance and no resistive error, but I don’t use an SAT amp so does that matter to what I hear? - Also, the Type E only uses a low-pass inductor for the woofer. The squawker and the tweeter use high-pass capacitors in parallel, so (if I understood Al’s site) high freq sounds that should only go to the tweeter go to the squawker too. Does that matter? Would it matter if I replaced the K77 tweeters w/ Crites CT120s? - Are the actual crossover frequencies the same between the two networks? It looks like maybe there is some adjustment possible on the CSW but I’m not sure. 2) Is upgrading the K77s to CT120s a good idea? 3) I know I need to replace the gasket between the squeaker driver and the squawker horn, but does it also make sense to upgrade the K-55-V with a Crites A-55G? Do squawker drivers wear out and/or is the A-55G a lot better? 4) Crites offers CW1228 woofers as drop-in replacements For the K-22-E. Are they better, especially given that the K-22-Es are 40 years old? Or what if I just rotated the K-22-Es 180 degrees as I read somewhere? Sorry about so many questions - I’ve read a lot on my own and I’m still not clear on the best way to do this. There is tremendous expertise here and I’d be grateful to tap into it. Thanks in advance
  14. Hello fellow Klipsch- Owners, just signed up and wish to introduce myself to this forum. I live and work in Berlin/ Germany. I´m lucky to own several products by the Klisch Company, those beeing: • RF 3´s plus center, rear, surrounds and a sub; got these while I stayed with the German Air Force in El Paso TX. • A pair of KG 1.5´s, bought with my first own money. • A pair of Heresy E´s (mid 70s, my guess). These are family heirlooms of a sort, beeing passed from my uncle to my mother and then to me. When i´ve got the time i wish to restore both the 1.5 and the Heresy E. Andre
  15. One pair H1 in walnut, crossovers renewed, condition 7/10 present nicely - $400. SN# 70S412 and 70S413 I bought these from a forum member in July and have played them exactly once. Hoping they find a home where they can get used. Selling them for the same price I paid. I'm in the Kansas City area - Thanks
  16. Hello, Just joined the community and was looking for some advice on speaker placement. I have my eyes/ears on a pair of Klipsch Heresy III's or possibly IV's depending on permission from the She F O 😉. These would be an upgrade to my current speakers (Dynaudio Contour 1.1's). We are getting ready to move into a new place in Brooklyn, with more space and I am trying to figure out the best placement for the Heresy's as the living room is odd shaped (not perfectly square or rectangular). I primarily listen to vinyl but also streaming music when we have guests or my kids want to listen. Below is a pic of the layout with dimensions and a few pics (not my furniture it's staged). Thanks in advance for any suggestions and looking forward to meeting more people. Cheers, Craig
  17. Hi all, I'm new to this forum so excuse me if I'm asking the same question again or if I'm doing something against the rules. I'm not known in the hi-fi world but I've heard a friend of mine playing music for me on a Klipsch system and was sold. I've just purchased my first Klipsch speakers which is the Heresy III. I'm trying to compensate the low end frequencies by adding a REL Q201E. Since there's not much money left, I would like to start with an amplifier that is below €500,- before scaling up to something like the PrimaLuna EVO series. The speakers are standing in the living room which is 3x5m2. I'm sitting 2m away from the speakers in the middle of the room. Here's a playlist of music I like to listen to - https://open.spotify.com/playlist/37ZSq4FA67m5UZW0At3FWv?si=ZLwgic4CTNKcsavlz9E3fw What would you recommend? Thanks a lot for your help! Sending you warmth from Rotterdam, Ron
  18. Hey there! I came across these the other day on craigslist and had to pick them up. Plus it was a good excuse to get out of the house. I have yet to take the backs off and peek inside, but when I put my ear up to where the tweeter and squawker should be there doesn't seem to be sound. However, they sound quite pleasant and listening to a sweep of the frequencies I can here to my limit of 16.5k htz or so. Anyway, without delay here are some photos.
  19. Looking for advice on how to setup a 3.1 home theater setup in my apartment. Already have 2 - Klipsch Heresy III's but just got a LG C9 77" so am new to the whole HT game. Was just using my Heresy's for music/records but currently have them linked to my TV and they sound fantastic. Know most suggest adding another Heresy III but as you can see space is limited in my NYC apt and my girlfriend would murder me to add another large speaker. So unfortunately visual appeal does have some stake in the game. Will be moving into a house/larger living area in a year or two, so I do want to invest in a solid setup (understanding I won't appreciate the full effect for anyone suggesting might be overkill for such a small space). Also read a bunch on the Klipsch Academy's being a solid Center, but those are tough to come by. Any suggestions on a Sub would be greatly appreciated and also anything on rear speakers for a future 5.1 buy (again would love all Heresy's but would probably need something smaller like bookshelf speakers as this would be more of a living area than a dedicated theater)
  20. These look nice...$550. Bremerton, WA https://seattle.craigslist.org/kit/ele/d/gig-harbor-klipsch-heresy-hip-speakers/7101948263.html "Klipsch Heresy HIP speakers. Pro style cabinets, are stock orig cabinets and drivers. Electro Voice woofer. New Crites HEI crossover built to stock parameters. I have caps that can be used to attenuate the mid and tweeter if so desired (the HIP heresy runs them hot on purpose)"
  21. Hi everyone! I’m interested in forum members thoughts on the situation I find myself in diving into my home theater build. I’m a long time klipsch lover and hifi audio system geek in general. After tossing around the idea of doing an all paradigm or all canton HT system I have finally decided that I just will not be too happy without that classic klipsch sound. My delema is should I go with an all legend series klf 30/20 for mains, side & rear surrounds, with klf c7’s as center and atmos front and rear height speakers which is what I had resolved to do. I currently have a pair of 30’s and I am planning on procuring another pair of 30’s this weekend. So I’ll have 4 of the six towers needed to get started. Then it’s just track down another pair and 5x c7’s (which are far more shipable than the towers). On the other hand I also have the opportunity to pick up a pristine pair of heresy 2’s and 3 pair of heresy 1’s that are in beater shape that need a ton of work. No matter the choice I will be doing crites upgrades on all of the speakers legends or heresies. Haven’t had any experience with crites upgrades, are heresy or legend upgrades more costly? Will there be a timbre matching difference between the heresy 1’s and 2’s after crites conversion? Also what would be the best recommendation on atmos speakers for the heresies? Theater room is about 28x30. Would drive the system with pioneer elite vsx-lx503 and b&k separate amps (on 5 channels). Plan on upgrading to either an arcam, marantz, or anthem processor in the future and finding the best amps for whichever series I go with. The heresies are gonna need a lot of restoration work but are available now. Legends I’m gonna have to go through the headache of tracking down and picking up/get shipped to me. What are you guys thoughts on which route to take, and why? Has anyone heard both an all legend and an all heresy home theatre? I helped a friend years ago set up an all legend series theatre which was amazing and that was back in the days of 5.1/6.1. (He got a pair of klf 30’s after babysitting mine for me for a month or so, then completed the full surround system) Btw having two pair of klf 30’s as extra stereo sets if I go with the heresy option is no problem and I have the gear to run two separate audiophile stereo configurations on the 30’s. Choices, choices, choices... Any thoughts, experiences, advice you guys have would be much appreciated.
  22. I added a Heresy III to a pair of Klipshorns. Here is a report after a few days. The Khorns are in good corners on a 25' wall. The room is essentially 15' deep although about half opens another 15 feet into the kitchen. My listening room is living room, dining room and an extension of the kitchen. There was a sweet spot for the horns where music sounds as good as I've ever heard. I've spent many hours sitting there. Unfortunately, most of the time I listen to music while working at the dining table, cooking, washing dishes or sitting on the sofa. Nearly all of my listening was too close to one speaker or the other, or too close to the long wall between them. I added a Heresy III (It will eventually get built into a cabinet and so I don't want the port on the IV). Cory is a gentleman. I am glad I reached out to him. It sounds great! I have it well below the Khorns in volume and so they remain the dominant voice of my system. Off axis listening is much improved in terms of musical content and balance. The sweet spot is now a big oval. On axis (or in the sweet spot) the Heresy is audible and it sounds great. It is super quick. On tracks where the kick drum and bass are in the center the Heresy highlights the percussive quality of the bass and sharpens the impact of the kick. It is not that the Khorns are slow, but the bass is a bit laid back. The Heresy seems a bit more eager. I have it down 5db or so and it doesn't intrude much on the Khorns. Mono recordings also sound great. The Heresy nicely fills a gap in my room and makes music enjoyable nearly anywhere in the space. Sitting too close to one Khorn is now more than tolerable. I feel very fortunate. It also has good WAF (she's surprised at how small it is!) but she also thinks I am in the land of diminishing returns. The technical bits: I run a mono amp from one of the mono sub channels on the preamp - a Parasound P6 (very positively reviewed by me in the SS section) with the low pass filter defeated. There is a volume knob for the "sub" on the face of the preamp and I keep nudging it down. The P6 is connected to a Parasound A23 with balanced interconnects and so the signal is hot. There are input pots on the amp and I've had to seriously attenuate the input to match or slightly exceed in input to the mono driving the Heresy. Judging by the sensitivity of the speakers, I suspect that if I replaced the balanced interconnects with RCA cables (lowering the input level to the amp), the amps would match up better. I made a summing box per Dope from Hope but am not using it here. For critical listening I can take the Heresy out of system with one button if I want. You can see the Heresy in the lower right corner 12' from the left Khorn. Thanks for reading.
  23. For sale single Klipsch Heresy III Black. Used as a center channel. Four months old purchased brand new from an authorized dealer. Asking $700 plus shipping. Unit is in perfect condition. Original box and manual.
  24. I am looking for one matching Klipsch K-22e woofer to restore a set of Heresy 1 speakers. Have a look at the picture to see that it is a square magnet with 67-8305 code on it (not sure if that is important). I am in Canada and will be driving through New York state to North Adams, MA on Thursday September 14th for the weekend in case someone is located along the way who has one to sell. I am open to other option, including a set of matching Heresy woofers or perhaps someone has had a set of Heresy woofer's re-coned and has information on who can do a really good job.
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