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Diehard audiophiles live! Open your mind and learn


sheltie dave

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This is not an attempt to create mass hysteria over what wealthy audiophiles believe(and spend large amounts of $$$ chasing,) but here is a really fascinating thread over on AudioKarma.

They have a section that is firewalled to allow the subjectivist camp have free reign, so don't try to pick fights. Many Klipsch owners seem to fall to the analytical, no bullshit side of the audio spectrum. Many of the magic cable, Shatki voodoo beads, and magic rack stands end up here, so check it out if you are so inclined.

<http://www.audiokarma.org/forums/showthread.php?t=273934>

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Yes indeed Sheltie, You have reminded me. It's time to heed my lifes true calling. $$$ You have heard of the "Dog Wisperer or the Horse Wisperer" I am the "Hi FI" Wisperer" For $300.00 per hour I will exhort all the demons from you system, & retrain thy ears to hear the true voice of "HIFI" [8-)]

Gee, I have been waiting for this moment all my life.

Cornman

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Let me say before I post this, that a friend I loved in college wrote like this. He loved Yes, and would write his papers after he fired up the bong...multiple times...and write the paper while listening to "Close to the Edge."

Here is the quote....

I’ll try to explain the “Black Wall”. First, I’d like to address
“Silver”. “Silver” is distortion, grain, and/or a tipped up,
harmonically thin sound field. “Black” in most soundstages is a
mechanical artifact related to stored energy in the component or in
damping plates/materials in proximity to or in contact with the
component. It is coloration or, to my way of thinking, a “color” as
obvious and artificial as “Silver”. The “Black Wall” or a “Black” color
thickens the sound stage and obscures detail. An analogy might be
looking at a stone partially buried in the sand. We know the stone is
there but we have no clear sense of its size, weight or details. No
matter the analogy, the result is performance below the design
capability of the component(s).



Eliminating “Black” while retaining proportionate values of attack,
bloom and decay at varying amplitudes across 20kHz+ while preserving
the separation of very delicate low level ambient room information is
difficult. This requires precise control of the flow of mechanical
energy through the component in non-obvious ways. Well executed, it is
akin to brushing away the sand and holding the stone up to the light.
We hear emotion, tonal color, inflection, richness, control, musical
detail………and on.



“Isolation” and/or tweaks can be the cause of “Blackness” because
vibration that can’t come up can’t go down. Energy transferred through
the air and stored in the component causes the “Black” color, as does
the issue previously mentioned.



Having said this, “Blackness” accurately expressed in a soundstage
generally resides within the start and stop of each note. There is a
space no matter the source, and although we hear the space, low level
ambient room information should sing behind and through the spaces
across the audible(+) spectrum…….the more profound the control in this
domain, the better the sound. It’s difficult for me to express this
well, but once you hear it, you never forget it because things sound
much closer to “real”; the -mic feed.

++++ I hear the wind, my epitaph. :-)

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While I am continually amazed at what audiophiles spend thier money on, I am very hesitant to ridicule or doubt them. I haven't tried the overwhelming majority of tweaks, but have certainly experimented with parts-a-plenty (caps, tubes, wires, resistor sonics, etc) and have found differences and benefits in certain choices, so who am I to make fun? I LOVE the various aspects of capacitors re: sonics - it is a fascinating topic for me as are tubes. Klipsch and this place made me a parts freak, and even MORE prone to the subjective.......

But I do have a "limit" on what I consider reasonable. I'm not doing a $2K cable or rack for any improvements. But I'll spend a few bucks (especially on some used stuff) and experiment a little. But within reason.

It seems a little crazy, but at least people are experimenting. In an odd way it's "research", because there's always that idea "tried and charged dearly for" initially that's easily duplicable and inexpensive later that we all benefit from. It used to be, for example, that you had to buy the Lexus to get an exterior temperature gauge in your vehicle - now they are standard on all Toyotas. So let the rich boys play, stimulate the economy, and see what they find out!

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I stop reading after this line of the first post "The racks are Critical Mass Systems Platinum series racks and I have 5
levels and $3300 a level."

Did you know that electrons can tell what kind of audio rack you use?

Oh and you also have to break-in your furniture, too!

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I've got an open mind. I'm not going to spend that much for an equipment shelf but on the other hand, it's probably a really good shelf. You guys might find the price objectionable, but I don't, it's not within my budget limits but some guys have very large budgets for this kind of thing.

Thanx, Russ

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