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I am not a moderator here either but this needs to stop, now. Subjective comments and suggestions are made every day on this forum by many, including myself and the both of you combatants. We all should just get used to it and do our part to help one another out the best way we know how. I do agree though that we too often suggest things that were not asked for, like for example: Poster asks, "Which amp would mate better with my speakers, amp A or amp B?" Replier says, "You should get amp C." Or how about this one. "Which subwoofer should I get, the 12 inch or the 15 inch?" "You should build a DIY 18 inch sub." Get my point? Folks, please don't trash me because of my observations. Bill

IMO it's compression, poor performance, poor recordings and poor mixes that explain the sorry state of recorded music today. Many vinyl records sound very good because they were well recorded excellent performances that weren't compressed for file storage or mixed to be heard on car speakers. They don't sound good just because a tiny diamond is dragged over wavy plastic.Some of the posts in this thread focus too much on portability and the comparison of the triangular Pono player to iPods and the like. IMO that misses the point. Portability is not the primary goal of the Pono player. The fact that it can be easily transported from one SOTA stereo system to another is a bonus, not its reason for existence. Neil Young compared music streaming (Pandora, Spotify, etc.) to FM radio of old. He compared Pono to record players of old. The inferior sound quality of radio or streaming allows for portability and sampling of new music. The record, and now Pono, allow favored music to be experienced at the best quality the artist, producer, recording company, etc. choose to make available. Pono is not seen as replacing iPods, streamed audio, or even CDs, but rather as a way to get high quality recordings to play through high quality systems. Perhaps more important, the support for Pono, or similar devices, sends a message to the music industry that there is a demand for well recorded, excellent performances with all the dynamics and frequency range the digital medium permits. If those who demand more than is presently available from CDs, mp3s, etc. show support for Pono (or some other serious alternative) the likelihood that quality digital recordings will be available at a reasonable cost increases. If there isn't strong support, the industry could easily conclude that Mp3s are enough. One poster suggested that careful cleaning and handling of vinyl can remove ticks and pops. I disagree. Anyone who has followed the thread: https://community.klipsch.com/index.php?/topic/145942-the-best-way-to-clean-preserve-vinyl/ understands the length to which I will go to extract the best possible sound from vinyl; and to help others do the same. Despite best efforts, vinyl is inherently prone to audio artifacts to which digital is not. I repeat, excellent vinyl recordings are excellent for many reasons, but being recorded to a vinyl disc is not one of them. The same information could be recorded and played back digitally without any possibility of surface noise, static, dirt, worn stylus, etc. The best digital has the potential to eclipse the best analog. What prevents that is a perception that the market is satisfied with mp3s, streamed audio, etc., and that consumers won't support the additional expense (or large file sizes) of high quality digital recordings of excellent music. Neil Young is trying to alter that perception. I wish him well. For $300 (about the cost of a very good cartridge) I'm willing to sample the product before condemning it. At the least it shows an interest in quality recorded music. The original goal of Pono on Kickstarter was $800,000.00, as of the time this was typed,"$3,786,498 pledged of $800,000 goal." If nothing else, the powers that be in the music industry ought to take note. YMMV

Sunday mornings the 50 year old HK receiver gets some play time pushing 40 year old McIntosh ML1C speakers. Note to self.....buy coffee today or go without tomorrow! Cheers gents

Autocalibration can't correct things like modulation distortion from non-horn loaded woofer. Also, a horn loaded woofer will need to move in and out less to produce the same output. In general, less movement means less distortion and means more dynamics (less travel means a faster reaction time). Over its rated frequency range, a horn loaded 15" woofer is easily comparable to 3 or more 15" direct radiators in output. A horn loaded bass-bin adds that much to the efficiency! The science here is pretty clear (it's a matter of fact, not opinion and yes there is a measurable difference in distortion), assuming the OP wants accuracy with a limit frequency range. Now, if the OP wants something a little more distortion and wants to go lower than a lot of horn loaded bass bins can, that's up to their taste/choice. I'm going to guess that a lot of folks prefer lower frequency response, and there's nothing wrong with that if that's what they want. However, if a person is willing to run subs, an all horn loaded speaker setup can be awesome. You're correct that imaging has a lot to do with placement, which is why I made sure both sets of speakers were placed correctly. I used the RF-83's in two different apartments too so I am comfortable saying my issue wasn't the room or placement. I think the difference I'm hearing wrt to imaging has a lot to do with how a horn disperses it's sound into a room. The mid-range horn on the La Scala's is huge compared to the horn on the RF-83's. Note I'm not saying the reference series has bad imaging, I'm just saying it's not as good as these bigger horns can provide. There appears to be some give and take here too as these smaller horns have awesome frequency response up to 23kHz.

Do you suppose, if there are any passengers still with us, they will receive credit for all of the extra air miles? Id be the first one shot anyway, just as soon as the Libations ran out.

Wish Craig's List would not allow these without legit contact info.

Id rather be here voting on something that may not count than be on that Dam Plane.

http://sfbay.craigslist.org/sby/ele/4367753263.html According to the ad they are here... https://community.klipsch.com/index.php?/topic/113839-la-scala-1/

2445H JBL Drivers, Complete Horn Units w/JBL Factory Mounts $500, Pick Up or maybe I meet you half way, ask before you buy. http://www.ebay.com/itm/131145925238?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

Link

With all of the attention being payed to Ketchup, and or Catsup I thought it only fair that we pay homage to another great condiment, Mustard. Best on Hot Dogs, Hot Pretzels, Deli Sandwiches with mayo, etc...... Best regards, John

Most likely, I am misunderstanding your predicament. You have thought of this already or it is just not an option. What I do understand is your current player will not stream from internet? I have "chromecast" in my bedroom and it is limited to set sources. My question, or thought, is why don't you just stream straight from your laptop or computer? That way you may hear anything and everything you want. I go straight from my laptop into 2-channel with very good results. For some reason I am having a bad feeling this has nothing to do with your problem???

Unloved... have you tried mccormick mayo? Its outstanding. Mix your favorite mayo with soy sauce for an asian fusion excellence.

Apparently they are for sale now for $900! I just posted the link in the Alerts section.

Thanks. I had an account years ago when I almost pulled the trigger on some Klipsch speakers but couldn't ever get logged into it so I started over.

This is the second shot of the series.

The following is excerpted from a Bethlehem Records sleeve: (boldfaced and quotes are from the record sleeve) Bethlehem Records, "leaders in Live Sound Reproduction" ...what to expect from your new Bethlehem Record: ...superb sound is possible only on high fidelity equipment. Extensive factory tests have ascertained Bethlehem sound reproduction to be at 50 to 15,000 cycles per second or better. Bethlehem Records are recorded at standard low volume level, thereby eliminating the necessity of tampering with volume controls. Bethlehem Records are recorded in studios having a standard "liveness" quality...Note the sense of "presence" of solo instruments, and over -all "live" sound of the entire performance. Rarely is any mechanical echo applied. The sound you are hearing is the natural sound that existed in the studio at the time of the recording date.

Ceptorman Almost back. On the New York State thruway near Syracuse.Two hours left

This photo was taken on Lake Moultrie outside of Charleston SC.

Ah yes, Coffee, Duggans, wake the wife, more coffee, less Duggans, plan the day.......

Come on people now Smile on your brother Everybody get together Try to love one another Right now. Any of you old enough to remember that one?

Notice the razor blade. The adhesive is very good. If I knew what it was I would use it myself! I could clean it up, but it would almost constitute a project in and of itself. I'll be moving the resistors to the bottom of the board, and they will be lifted off the board as they should be. At any rate, this will then leave plenty of room for a nice, clean installation. The capacitor values are 5.6uF, 3.3uF, and 3.65uF. To get that last value I'm using a 3.3uF and paralleling it with a .22uF bypass capacitor. Close enough. The remaining caps are being bypassed with .10uF. The resistors are 3.9 and 39 ohm. I use Mills Non-inductives exclusively. Well, on Reference I do. Since this is a current production loudspeaker, no schematic will be forthcoming. Please do not ask me about the coil values or begin flooding my email box to step you through the entire process, I just don't have the time. I'll try to get enough in here to get you going. Please don't do this unless you have some idea of what you're doing.

I'll be using Dayton metallized polypropylenes, bypassed with Dayton film and tin foils. If these caps are good enough for the 60th Anniversary Edition of the Klipschorn, then I think it's probably okay to use them here. The bypassing treatment is a JBL thing, and we all know how bad their stuff sucks, right? : ) I took the one of the networks to Parts Express with me, and had them pull a few brands that were in consideration, the Daytons just looked like they would present less issues. I wish Klipsch would get away from those oval capacitors. Note #4 http://marc.info/?l=basslist&m=101831073029354&w=2

This shot is of my modestly sized work area. On the bench are all the parts for two pairs of RF-7s, an RC-7, and Youthman's RF-7iis. I prefer Xcelite and Klein tools for the most part, but I really like my Wiha pliers. My soldering station is a Hakko 888D, and I use T18-D24 and D24 tips. I use a Mastech 390-570 for taking basic inductance and capacitance measurements. I use good parts, and in the over a decade of doing this, I've never received a bad part (though I sure did ruin a few early on).

I suspect that if we all behave and no one starts ranting, raving, or distasteful argument we might get away with it. But not my call. John

The Man was flying with Angels. Of course it Great! But then he had to come down to earth, and it hurts. Just not your time, Thank God.

Did somebody say Mustard ?

"That don't cut no mustard with me." Give me Mayonnaise!

Its being repainted as a FED EX ,, IT will never be found

A good read Beek, take care of that back.

That is one Hella a soundbar, he he.

Scrappy, could you do me a favor and quit referencing my posts. I will 100% do the same for you going forward. Also, this is the third or forth time you've gone back and said something I did not say or flat out criticized my thoughts for no reason with no technical information to back it up. I said PERSONALLY. I did not say he NEEDED la scala's. This is just like your other posts jumping on my for stating my opinion when the OP asked for it. Or one of your many others that purposely counters something I stated, but without any facts or reason, etc. In short, if all your going to do is criticize me, I'd rather not talk to you. When anyone starts a post with I or personally, it is always their opinion (I thought was obvious but...). They aren't saying it's the only way to do something or that the OP must do it. For others this is the crap I have to deal with to post here. On the bright side, everyone else seems nice. the term "in my opinion" REALLY belongs in this statement. Just because YOU think the heritage speakers are better for movies does not mean they are. I dislike when people say that kind of stuff as so many new people scan these forums for info. They may read your quote and think that they have to buy heritage stuff for a great "movie" sound. And that is just not the case. Everyone's ears are different.

So really, what is going on here is someone has snatched a fully loaded 777, and no one has a clue, starting to sound like a James Bond movie.

You would think that more of our higher officials would get involved with this situation, but prior commitments seem to get in the way of this....

Good eye Tom, I don't know enough to catch those things. $800 each, wow must be the diaphragm itself more then the housing were the quality is. Well I guess depending how the aftermarkets sound you could get by with a pair for 1200.00 but then end up spending 1600.00 on the diaphragms down the road. Putting you at 2800 a pair which I don't think that would be a good deal. Again still needing to buy the throat adapter if needed adding extra cost to things. I just went back to the posting and see where they listed that they had, had the diaphragms replaced. Guess I should read all of the description.

that's gotta be one of the greatest quotes I have heard in a very long while!!!

I Suspect something much Larger is going on.

Was even warm enough for a ride.....

I didn't think to include a reference to George Bush as a possible cause to this missing plane mystery....

My idea of a docking station

Oops...

In the summer of 2012 I fulfilled a lifelong dream of going taking a motorcycle trip to Bethel, NY and the Woodstock Museum & concert site. I took these photos on the way at Woodstock Harley-Davidson in nearby Kingston, NY...

The chorus ii are my all time favorite speaker. I have a couple 200watt adcom mono blocks than run them very nicely. My choice solid state setup is my adcom pre with a bbe882i with a crown xls2500. I have pushed them in this setup to 116db @ about 5ft away and sounded clear and just left that test at that. So the listed 120+db is true. I run them mostly on tubes at about 60wpc now and they are also very happy sounding. chorus ii can eat up watts with the best of them specially for a full range "home" monitor edit: you will be set for life with your adcom amp. they go together very, very well

Very cool you have your daughter in it. Thats one you will smile looking at 1 year or 20 years from now.

Our daughter, reprising the opening sequence of the Sound of Music

Yes, its actually a truncated version of the 240 designed to fit in a KHorn with modified riser. Top Eliptrac 400 Bottom Eliptrac 240KHorn build Top Eliptrac 400 Bottom Eliptrac 240 Nos Valve build notice how much wider than the Eliptrac 400 Dave