jorjen

I REALLY enjoy the Chick that plays/played Bass for Jeff Beck. Can't remember her name. Not only is she fun to watch, she is one Helluva Bassist! if you have not seen her, I suggest you do. Found her. I am talking about Tal Wilkenfeld.

I use the same stuff from PE that Neil does. Honestly don't think one will find anything more perfect for the task.

I believe you will find you cannot. I have been down this exact path. From a marketing concept alone, why would B & C design this capability into the DCX462 when they had already introduced the DCX464 to market for this exact purpose? If one could use the DCX462 in this manner B & C would never sell any 464's. I know, let's use a 1.4"- 2" adapter to make the DCX462 compatible with the ME464. 😀

I was going to Deano but I stumbled onto a great deal on the TAD's. I know how good Be can be.

Just curious as to why you did not just buy the 462? I know the adaptor gives you some other options, anything else? Buy the way, I have a basically brand new pair of the DCX -462 2" Co-ax that I will be posting in Garage Sale .I was going to do three three projects with the DCX -462 but now I am only doing two. So, one pair available. GREAT drivers. I have been using Daves Elliptrac 400 and ONLY his Elliptrac 400 in various projects like my custom 3-way Jube Clones and Modified La Scalas since he first offered the 400. Have never found a horn I like better. But, I am still a passive guy and have never tried the 402. I even paired them with a beautiful, perfect pair of TAD TD-4001 drivers in the Jube Clones. Not even the mighty BMS 4592N-Mid stands a chance against the TAD. I know there exists at least one in the Kilpsch Forum that talks a lot about the 4002 but I believe the 4001romps on everything else. Wish I had never sold them. Never heard anything else even close to it. I will attach some photos only showing a couple iterations and various stages of experimentation..

Same here. The four I received from, oh wait I can't say, for the Jube Clones I built back about 10 years ago were identical. Marked the back of the plastic ring in the four missing locations. Took the rings off and drilled them, re-attached to drivers with a strong adhesive. Routered four MDF spacer rings so the cones would not hit the motorboard and mounted the drivers with four t-nuts and four threaded inserts each.

Got a little carried away there OP, sorry. Didn't mean to barge into your thread. You are having a serious problem, one that can become very frustrating. Hope you get it fully resolved. Thanks for the compliments by the way. I am using a Lehmann Black Cube SE II phono stage for the Soundsmith Zephyr Mk III with excellent success. Very nice match. What I have fought mostly over the years with my systems have been room acoustics and speaker placement. You know, small room disease. Best its been right now though. Funny thing is, I had the least trouble with my small rooms with the bigger speakers. Three different pairs of KHorns and a pair of Jube Clones.

Forget about using the cage with the 150's Fido, not going to happen. At least not on my PL, Lol! I have purchased two Dialogue Premium Integrated amps over the last four years or so and agree that both PL and Upscale Audio are TOP NOTCH! I have also purchased a ton of tubes from Kevin over the years and as far as power tubes go I can no longer listen to anything besides the KT-150 for any length of time. Everyone has their output tube and that is mine. My PL DP's have no problem with them whatsoever, I have a quad in each. Heck, I started using the KT-150 when they first came out in Nos Valves VRD's with Craig's assistance with bias. Did you know there is now a TUNGSOL KT-170? Sheesh, when will it end? Anyway, my point is I LOVE PRIMALUNA and I am a vinyl only guy as well. Love my Dialogue Premium. Connected to the Volti Audio VX Crossovers that I built, connected to the modified La Scalas that I built with the new B&C 2" Coaxial Driver attached to Dave's Elliptrac 400 horn.

When I started out as a salesman in the HiFi business(from 1973 to 1979 before becoming part owner of my own dealership), EVERY manufacturer had an incentive program for all involved. 50% was the standard. That was the only way any of us could afford what we had system wise. I however purchased my first set of Klipsch at full retail from a lovely sales lady named Rita who worked in a shop on the corner of University and Shattuck in Berkeley, Ca. Bought them in 1976 three years BEFORE i became a dealer. For a pair of LSBR, I paid the outrageous price of $1118.25 for the pair out the door incl. Ca. State sales tax. I was robbed, LMAO! My system at that time consisted of the new La Scalas, The AWESOME Pioneer Spec 1 Preamp and Spec 2 power amp and a Sony PS-8750 DD TT with a Stanton 681EEE cart. You talk about a mean, badazz, Mofo of a system, look it up. All was able to happen due to the 50% off on the Pioneer and Sony gear. Once we started the dealership in 1979, if we wanted a new pair of Heritage, we went back to the warehouse, loaded them in our vehicle and took them home. Lol! It was like being in Heaven I imagine. HaHa!

Forgive me Howard as it was not on Long Island. However, a great deal of pride which still exists today forces me to interject. I hope you understand. In the third quarter of 1979, myself(at the ripe old age of 21) and a partner were awarded our Klipsch franchise. We felt that opening our retail establishment totally and completely hinged on being able to offer Klipsch to the public in the small California, Central Valley town of Merced. We opened our doors and began operation in August of 1979 thanks to the help of a lot of GREAT folks in the audio industry of that era. Jack Thornton Co., Dale Sprock, Bill Rogers, Woody Jackson, Kent Sheldon, Chuck Mulhearn and the list goes on. Georgia helped us a lot on the credit end of things as well. We proudly named our new baby "Sound Encounters". The license plate on our delivery vehicle(a white, 1962 Ford Falcon pickup with three on the tree)proudly declared we had "HiFi4U". The store was gorgeous. Dark Wood and blue carpeting on the walls and floor. Live plants, art, etc. We had one enclosed sound room which contained only the Heritage line in it's entirety(except for Belles)later on the KG's, Fortes and Chorus, etc.. Boston Acoustics and the "other stuff" was outside. LOL! Merced had never seen anything like it. We were SO proud. Those were grand times, times which I will never, ever forget nor the folks that were met along the way. Just when I thought things could not become anymore surreal, in 1983 I believe, myself and a small contingent of about five other guys from California dealerships were invited to Hope to spend a week at the plant and the "Compound". Talk about giddy, wow! The folks in Hope were ALL world class hosts. We felt SO welcome. From the plant tours, the educational and sales tools, to heading out to Garland over "Piss Bridge" for Catfish and Hush Puppies, it just could not get any better.....or could it? Mid week we were told we were going to the Bosses home for lunch. The Boss? Turns out when we get there it is the home of PWK and Ms. Valerie. Holy Cow, I have never been so intimidated in my life. That soon passed. They could not have made us feel more at home. We had a wonderful lunch. PWK showed us his model Trains in the pool house(yes, the one that carried refreshments to guests by the lap pool), Ms. Valerie was gracious enough to play the same song on both her Steinway and Bosendorfer pianos so we could hear the difference between them. We were commoners in the presence of royalty, but we did not once feel as such. One of the most memorable experiences of my life. I also stood shoulder to shoulder(well, i'm only 5'4", but you know what I mean)with PWK in the fairly recently completed Anechoic Chamber. GREAT experience but a weird place. Standing in that thing made me feel "off" somehow, haha. Anyway, I'm sorry if I have gone on and on. Happens to me every time the subject comes up. But those times will never be again and I will forever cherish the memories, the people and the customers that allowed us to change their lives forever by bringing Klipsch into their home. though my partner and I have not been involved since the '90's, the business still stands today, 42 years later, in it's current format. I still run into old customers, old friends who thank me, thank us, for the enrichment that we brought into their lives through Klipsch.

Very sad news indeed. My heart, thoughts and prayers go out to the Crites family. Thank you so much for your time, effort and assistance Mr. Crites, you will most certainly be missed. Geez Gregg, you made me realize how easy it is to make this old fart cry these days. How the heck are ya old friend? I'm not around much these days myself. I quit woodworking in '17 after the house burned down and a Parkinson's diagnosis.. Miss the old days. Good Bye Mr. Crites. You were a very good Man.

Seti, I was just getting up to go to the kitchen and relate to my wife the very last sentence in your above post....before I saw your post . What I was not going to tell her was that the new Jubilee is the Sexiest thing I have EVER seen. I prefer the current location of my Testicles, thank you very much. This is a HUGE day for PWK and a huge day for Chief. This whole thing is giving me Goose bumps. I have been a hard core Klipsch devotee for 53 years and probably sold more than 150K of Heritage and KG product between 1979 and 1990, but this means more to me than all that. An incredible day and an incredible addition to the family. Congratulations to both of you Gentlemen.

MDF in 1987? Ummmm........NO!

Wish this did not have to go down this way Dave, but I understand. It's not the same place we joined almost what, 19 years ago. I came along in March 2002 and you popped in a couple months later. Dammit I hate change. The best to you! Jordan

Deal me in!

I PM'ed you.

Beautiful work, just beautiful!

You are not "trying" anything. Those 150's will NEVER come out of the PL. Every amp I have had since the 150's were introduced has been compatible. I will never switch back to any other output tube. I even used them with VRD's with Craigs approval way back when. It has never been about power either. I just love the way they sound. Better, tighter bass. More dynamic. Fuller, richer, more control. Smoother, say what you will. EL34's do have damn nice Mids, but overall i'll take the 150's. I have had my second PL Integrated for a few years now which is a Dialogue Premium. Never used anything other than 150's in it. You will also never regret working with Kevin or any of his folks at Upscale. I have the Brimar for my PL that I got from Kevin. Bad news is, every time I try them I end up yanking them and putting the Cifte back in which I also got from him. I won't go into detail, but if you ever get the chance to try them, I suggest you do so. The Brimar don't even have 10 hours on them, so if you need some more....lol!

Starves the flames for oxygen. 🙂

SOLD!.

SOLD:

He has several re-build packages at different price points available other than the one for $4400.00 plus. I don't see any pricing of components in the package you are looking at to be way out of line either. Greg is a good guy and does good work and offers nice products.

Glad you have it covered. The DCM50 really is a great sounding driver that works very well for our intended uses. I am going to give their new 2" Coaxial driver the DCX462 a whirl. Been listening too it the last couple of days in my La Scalas and I gotta tell ya it is one badazz driver.

And covered in a pile of leaves? Russell. (you know, rustle)lol!

OK, i'll chime in here Bruce. Please forgive me if this offends anyone. A guy with no arms or legs is layin' on the beach catching some Sun. A young lady walks by and feeling sad for the Man stops, leans over him and asks "excuse me Sir, but have you ever been hugged before?" The man replies"why no Miss, no I have not". She bends down and hugs him and then is on her way. A few moments later another young lady walks by and feeling sad for the Man stops, leans over him and asks "excuse me Sir, but have you ever been kissed before?" The man replies"why no Miss, no I have not". She bends down , kisses him and then is on her way. The Man is now becoming quite enthused by these events at this point.. A few moments later another young lady walks by and feeling sad for the Man stops, leans over him and asks "excuse me Sir, but have you ever been phucked before?" All of a sudden he is overcome by excitement and stutters "why, why, no, no Miss I, I, have not, not" The young Lady bends down over the Man and says "well you are going to be as soon as the tide comes in".