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Those With Good Ears


JJkizak

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I had to sell a pair of JBL 4411 and Altec Lansing 9842D to help finance the AC/gas furnace combo. Still need to sell a car and maybe some other speaks to finish paying for it. Thought about my La Scala, but I just don't want to really sell them. Good thing I didn't list them since Judy says "no way"! I guess I could sell a pair of Epic CF-2. I listed several vintage receivers, and a linear TT, but in this area, not many people want to buy vintage stuff. I do have a couple of Technics SP-25 and a pair of Russco Studio Pro B I could part with. All the receivers were gone through by Paul79. Oh well, I need to thin my collection, I just don't like going the ePrey route. The people in this area that are into vintage gear want a $500 receiver for $20.

Edited by Rivervalleymgb
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I had to sell a pair of JBL 4411 and Altec Lansing 9842D to help finance the AC/gas furnace combo. Still need to sell a car and maybe some other speaks to finish paying for it. Thought about my La Scala, but I just don't want to really sell them. Good thing I didn't list them since Judy says "no way"! I guess I could sell a pair of Epic CF-2. I listed several vintage receivers, and a linear TT, but in this area, not many people want to buy vintage stuff. I do have a couple of Technics SP-25 and a pair of Russco Studio Pro B I could part with. All the receivers were gone through by Paul79. Oh well, I need to thin my collection, I just don't like going the ePrey route. The people in this area that are into vintage gear want a $500 receiver for $20.

 

 

Right thread?

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The only time I've experienced a direct relationship to bit rate (as distinguished here from sample depth) and perceived quality in practice is when listening to (or watching for that matter) anything that employs a compression algorithm.

 

As such, the result has always been the same...a comparative loss of spatial separation and increased high frequency noise/harshness "grit" that ultimately induces listening fatigue and/or limits satisfactory playback volume.

 

Examples of offenders I've found to be include Dolby AC3, DTS, MPEG-1,2,&3, and the cell phone.

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To me, low bitrates affect sounds farther out in the soundstage more than those in the center.

I listen to a lot of rock, and the full, wide-field stereo guitar sound is affected the most. It literally becomes garbled and wobbly sounding. Sometimes almost like it's underwater.

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The only time I've experienced a direct relationship to bit rate (as distinguished here from sample depth) and perceived quality in practice is when listening to (or watching for that matter) anything that employs a compression algorithm.

 

As such, the result has always been the same...a comparative loss of spatial separation and increased high frequency noise/harshness "grit" that ultimately induces listening fatigue and/or limits satisfactory playback volume.

 

Examples of offenders I've found to be include Dolby AC3, DTS, MPEG-1,2,&3, and the cell phone.

 

I get this on some HD FM stations (not fading) and only some tracks. It's like anything with wind/voices involved.

JJK

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With low bit rate I have a hard time hearing speech in particular.  It takes effort to understand the words.

 

It's easy to test.  Pick something on Youtube with good bit rate at 480 or higher, then use the Settings to lower the bit rate.  You won't hear much difference between 480, 720 and 1020.  The 360 is a little blurry and you can definitely hear poor quality at 240.  The 144 is not very good.

 

Use this vid and set it at 144.  You will see the vid get blurry.  Then on-the-fly set it to 1080 and you will see the picture sharpen up.  That is a visual representation of what I hear.

 

Edited by wvu80
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I sometimes find that I'm somewhat lazy when it comes to flipping the record over to the "B" side.  This pause between sides has sometimes affected my mood and it can take me seconds, if not longer, to re-absorb myself in the music. This real-world lag is, of course, not dependent upon the vagaries of the digital world ,and it's piss poor attempts at sonic reproduction.

 

I keep thinking I should retain a butler to be there for me when a side needs flipping, but then I forget.

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The musical enjoyment is lost is the best way I can describe it. Frequency sounds are distorted like they are oscillating/fluctuating. Of course clean bass is no longer intelligible and highs are very uncomfortable, especially on Klipsch. I can listen to 320 and be very happy. All bits may not be =, but I'm no professor.

I listen to 'classic deep cuts.com' at 128 its very enjoyable. Some others are terrible at 128. I consider 320 my standard and it's great at work, camping, boating, biking etc.... When I listen critically Only the disc really satisfies.

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I am not sure what is specifically related to bitrate, but lessor qualities of digital media yield a flattening of the image... spatial qualities diminish and separation suffers greatly. The "wall of sound" quality takes over as dynamic range is compromised.

Music can get quite fatigued and very shouty.

The music/instruments might still have fairly good detail, but it also has distinct granularity and lacks liquidity or smoothness to its texture.

That being said, manytimes this difference is only apparent and really comes into focus when immediately A/B'ing a good set up with a bad one.

Edited by Schu
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Lower bit rates sound bright to me. It makes sense, you're essentially chopping off from the top when you lower the bitrate, which means you're left with frequencies that don't sound good all on their own. I notice it most with big band or other instrumentals; dynamic sections lose punch or busy sections tend to mesh together instead of sounding like a whole band.

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  • 2 weeks later...

Shallow sounds, no deep bass or sparkly highs, strong on the high midrange like you're listening to an cheap radio on a cheap full range speaker, basically zero coloration.  I experience it sometimes at home if my internet connection is slow, it will play a song for 15 seconds with a low bit rate then will unleash with the real deal after it catches up, it's like somebody turned on the loudness button.  

 

Almost like this video from 1:43 to 2:10 although this is a little exaggerated.  They are trying to mimic what a record would sound like but take the popping/static away and it's not THAT dissimilar.  Watch before and after that point.  

 

 

Edited by MetropolisLakeOutfitters
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