My bad man somehow, I missed all of that. Wrong part of the country for me, but good luck with sale!   Tim

What an interesting journey!  I had never heard of Classic Audio T-1.5 Reference speakers before, but after reading about them on their website they sound like they have "the right stuff".  Beryllium compression drivers are pretty rare to see!  Best of luck with them.

thank you billybob1.  I appreciate the input.  I wasn't expecting them to sell in a day but more so wanted to make sure I wasn't way off.

When Klipsch started selling the Jub in Home version the stopped selling any pro cinema gear to the public. So no more underground Jubs.  You can buy cinema gear, you just have to get special OK from cinema sales and your local dealer.    Your dance club system and a Cinema system are NOT tuned the same. As the cinema system is made to be behind a screen, they have the "X curve" applied. This bumps the top end up to squirt it through the screen. The dance club gear wont do that and thus, won't have the top end in  the cinema space. It likely could be retuned to work.  MSRP would be $15 -20k each. but that is just a guess. They don't have a MSRP as they don't sale retail... They would be special order to have a "MONO" network for them so 1 amp channel can be use to drive them, like a home speaker. They are BAD *** when set up right for stereo.

Jackson Browne w/ Crosby Stiils & Nash    

please i would like to know where i can find and buy new woofer for my Klipsch R-100SW 10" Subwoofer??

That is just about as would expect from a serious purveyor of music . Best of listening...

Yeah, that's what I was asking, just what the one you were referring to was priced at, sorry if my message was ambiguous at all.  I was in the SF Bay area for a couple years about 15 years ago, and picked up pristine one-owner pairs of Cornwalls for $350-450 several, several times, and same with pairs of Heresys, in the $250-300 range (and even pair of Belles for $400, nice ones) and I sure wish I could have kept them all...at least until now, lol.  Had one setup with 18 pair of Dahlquist DQ-10s (average price paid was $275, and even a couple purchases in the $400 range that included a pair of DQ-1Ws AND either MX1 or LP1 crossovers) and 12 DQ-1Ws, all powered by 18 Phase Linear 400s, 6 Phase Linear 400IIs for the 1Ws, and another 6 Phase Linear 700IIs for 12 Bag End 18" ELF subs---it was FUN!!!

Success!   Replacing the two capacitors C05 and C06 fully restored the function of our soundbar!   5 Volts is once again 5 Volts.   Thank you all for posting on this forum and especially to those who diagnosed and shared the solution(s).   I bought two of these Panasonic caps from Mouser for 38 cents each.  Shipping was about 10X that!   EEU-FR1C221B Panasonic | Mouser   So less than $10 to avoid hundreds in replacement cost!  Hopefully it lasts another 4 or 5 years.   Interesting to me that the 5V side of the supply stays powered continuously by design.  This means the capacitors in the 5V side have higher risk for wear-out than those on the 20V side. The Panasonic caps I bought were rated 5000 hrs at 105C.  I'm confident the temperature was lower, but for something continuously operating, 5000 hrs isn't much, even if the temperature was a lot lower.   Speaking of reliability and temperature, what is that white glop?  Is it to conduct heat or prevent mechanical vibration?  It's a pain to remove!   Variation in the way the white goop was applied probably has an effect on the operating temperature of these capacitors.  This may be another factor in the variation of time to failure (although the variation in part to part will probably be huge, along with the variation in customer usage and power-on hours that could heat these caps).