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Showing content with the highest reputation since 03/19/23 in Posts

  1. A few people here know me, though many do not, as I have been a sporadic poster since the early years of the forum. My perspective on this is as follows: Years ago, there was a prevalent viewpoint among many forum members that Klipsch had not maintained its focus on the heritage models, limited R&D investment, few updates, just continuing to build each of these models as they had been for many years. The company’s focus was on other product lines that it had created for market segments that were growing. The first several years of the forum were like “ Must See TV” that you would tune in for daily, as the collection of members was quite knowledgeable, passionate, and opinionated. I learned a great deal from many of the members who participated in the lengthy debates and discussions as they occurred. Some of that forum activity back then revolved around what could or should be done to bring vintage Klipsch speakers up to something like “state of the art” performance. Rightly or wrongly, these debates spilled over into what should be considered for current production Heritage models. Back then, the forum was wide open, like the Wild West. In my view, many of these forum conversations came to exist because there was little confidence at that time that Klipsch would actually undertake the effort to update the existing Heritage models. This probably played a role in the development of a cottage industry to support the experiments that some enthusiasts were engaging in to modify their own speakers. What actually happened in recent years is truly remarkable... Every single model of Heritage has been thoroughly updated with excellent acoustical results. The Cornwall and the Forte were brought back to market and are better than ever. The Jubilee, a long-shot dream if there ever was one is now a reality. Truly amazing! If you haven’t heard it yet, you owe it to yourself to do so. The point I am making is that the categories of discussions that are now closed don’t seem relevant as they once were, I much prefer seeing Klipsch step up to the plate and hit it out of the park with the advances in their Heritage products than revisiting the past when we were lamenting the lack of attention to these same models. Kudos to Roy Delgado, Klipsch and the Corporate leadership for getting it right. With much respect, Bill
    21 points
  2. Before: After: It was BRUTALLY difficult to veneer the interior sections of the La Scalas without taking them apart. Fully 90% of my time was devoted to dealing with the interior of these guys. I thought it would take about 20 hours to do in total. I estimate that it took about 200 hours all in. If you want to do this, you need to take them apart -- at least the sides. I was too intimidated to attempt it, but in retrospect, it's definitely the way to go. In fact the way to go, if I'm being perfectly honest is to get a side gig, earn $18,000, set aside $5,000 to pay income taxes and then buy new La Scalas. Luckily I like the look of the old ones more than the new ones, but jeez, what a project. I can't say I didn't enjoy it, because I really did. But it was a commitment.
    19 points
  3. It was right around 24 years ago I was recovering from a neck operation and was dealing with issues with a set of Klipsch Computer speakers.... I wandered into this forum looking for support for those and stumbled into this 2 channel section......guys were in here "Mobile Homeless" and "Allan Songer" being a few of the most vocal talking about Klipsch and Tubes, which quickly peaked my interest since I learned basic tube electronics from helping my father work om WWW II ham radio gear, he refurbished, used and sold as a sideline from his normal home appliance business which I also worked with him on in my youth. So "Mobile Homeless" was keen on the lowly low quality parts EICO HF-81, "Allan Songer" was a fan of the HH Scott line of vintage amps for a decent build quality and awesome phono section. My father told me EICO brand test equipment was garbage...I quickly gravitated toward the better built and handsome looking Scott line of amplifiers. So, on eBay I bought a pristine condition 222C that the moron eBayer packed improperly so the face plate ended bent over in shipping. I forced him into a deep discount and kept it. Which led me to decide to see just what I could do to improve it. In steps "Mark Deeneen" of Juicy Music Audio and famed Paragon preamplifier of the 1970's which none of knew that was who he was at the time. He takes me under his magical electronics wing! Teaches me most of what I know about tube audio! All the while "Mobile Homeless" obviously feels threatened a resident "tube guy" of the forum! Those 2 proceed to fight for my musical sole LOL!!! Man were those days a riot around here... All the while folks were watching as a reported what I was doing to the 222C... I started getting asked "would you do one for me". I did a few for the part and shipping cost no labor or profit. It mushroomed out my control! I was released back to work (home improvement contractor) and still did the refurbing for profit as a part time thing for about a year! Then I had a recurring neck problem and was told by the Neurosurgeon that I needed to stop working over my head or with any vibrating power tools. I talked with my wife and decided to take the leap and turn my new hobby business into my new full-time business! Man did that work out great! So fast forward 24 years I have become forced into semi-retirement from what seems like never ending nagging health issues to the point I have not taken in new work in 4 years! At 62 I was approved for Federal SS disability in 7 weeks without even seeing a doctor because my health records were that bad in 2021... including lung issue from smoking for years but had quit and sucking solder fumes for 20+ years. Here I am recovering from Total Knee replacement surgery my nagging health issues have stabilized from good health care providers! I design a ventilation system for my shop and I'm back here offering my services starting two months from now. Isn't it strange how things come full circle in life sometimes! Cheers Craig www.nosvalves.com PS forgot one detail I damn near died at home with COVID in 2020 of course it found my weak spot those lungs! But I'm a stubborn Bxxxxxxx In 2016 it was the Flu that almost got me...7 days in the hospital...
    17 points
  4. Big breath….again….Mr K never understood the difference between home speakers and commercial. He told me that it should not matter what you have hooked up to the speaker….a turntable or a band….the speaker should faithfully reproduce the input signal.
    15 points
  5. I wanted to share some pictures with those here who enjoy viewing music rooms with great equipment. The pictures were taken during our visit with some dear friends who truly love sharing their music through their Klipsch Collection as well as sharing some of the most enjoyable meals a person could experience. miketn 🙂 This is their Underground Jubilee clones with retro equipment collection that they restore and enjoy in all their systems. Heritage Jubilee in their living room with McIntosh MC30s and a Custom 45 single ended tube amplifiers. Theater Room which can be switched between Home Theater duty as well as 2-channel Music with again his custom built Tube Preamplifier and 300B Amplifiers. Heritage Jubilee and UG Jubilees for surround and center duty with a KPT-1802-HLS sub as well. Pictures just cannot do justice to these Klipschorn AK6 “Teak with Lambs Wool” which serve as a bedroom system again driven with great tube equipment he has restored.
    15 points
  6. These are some pics of the new 300B amplifier that Aric Kimball (Aric Audio) has been building for me. It is burning in right now and is scheduled to ship out to me on Monday. Very excited.
    14 points
  7. Very Merry Christmas to EVERYONE here. I must also include a thank you to everyone here, for being such a great community, for keeping my spirits up during such a hard year, as many here have had as well. As I celebrate the birth of the Savior I do so knowing that I am not alone, or forgotten, and that is how I praise the Savior for showing me a community I find endearing. MERRY CHRISTMAS TO ONE AND ALL HERE! and thank you Tim
    13 points
  8. Alrighty, now... I graduated today, having finished 38 radiation treatments. I got to ring the bell, just like leaving Long John Silver's.
    13 points
  9. Well a deal came up I couldn't pass up on a brand new pair they shipped out today. I've wanted a pair since they were introduced but waited patiently for the right deal. Should be interesting to compare them to the new 362's and others I have sitting around.
    12 points
  10. not audio but I've been a busy beaver..
    12 points
  11. The final day of the 2024 PWK Birthday Bash featured the latest Chief Bonehead Class given by Klipsch Chief Engineer Roy Delgado. The subject of this class was to introduce the changes coming in the next iterations of the La Scala and Klipschorn (presumably the AL6 and AK7 respectively). We got a tease of the changes at SubFest last fall, but during this class Roy finally revealed the details. Just remember that all of this information is preliminary and subject to change. The first change is the replacement of the K-401 midrange horn. The tooling for the K-401 is finally wearing out. Instead of making new tooling for that old exponential horn design, it was decided that it would finally be replaced with a modern modified Tractrix horn, designated the K-406. This new horn is much shorter and features a 2” throat and “mumps”. The horns in the pictures are prototypes in white plastic. The final version will be the usual black color. The next change is the midrange driver to go with this new horn. This will be the large diaphragm, 2” exit KT-1133-HP compression driver used in the Klipsch Professional line. An external wide dispersion phase plug will likely be added for use with this driver before production. The last change is the replacement of the passive crossover with an active DSP like the Jubilee. This now allows time/phase alignment of all drivers. This also allowed the response to be flattened out, especially the hump in the bass bin range, allowing response to be flat down to 45 Hz. I forgot to take a picture of the two curves, one with the passive network and one with the DSP, but the difference was night and day. The curve with the DSP looked ruler flat down to 45 Hz. However, this also means that the new La Scala and Klipschorn will now require three channels of amplification per speaker. The question was raised as to whether a passive crossover network option would be offered as some buyers might balk at buying three channels of amp power per speaker. Roy said this may be an option. However, a passive crossover network will not provide the time/phase alignment and perhaps not all the response corrections made possible by the DSP. I asked Roy why he didn’t replace the tweeter and midrange horns with a single K-510 horn mated to a Celestion Axi2050 driver and make these speakers two-way active. He said he didn’t do this for two reasons. One was that the K-510 is a 500 Hz horn and would not allow proper crossover to the Klipschorn bass bin which can’t get that high. The other reason was the desire to continue the tradition of providing “upgrade kits” to allow La Scala AL5 and Klipschorn AK6 owners the ability to upgrade their speakers to the latest revision. The K-406 will have the same mounting screw hole pattern as the K-401, allowing a swap with nothing more than a screwdriver. I told Roy I’ll be first in line for any upgrade kit for my La Scala AL5 surrounds. Edit: I forgot to mention, any upgrade kits that might be offered would only be for the La Scala AL5 and the Klipschorn AK6, since only those versions have the Celestion tweeter that will be carried over to the new versions. We then got to hear demos with the new La Scala. How did all these changes sound? In a word, astounding. The improvement is dramatic. The bottom end sounds fuller, the speaker sounds smoother, and better integrated. The hit of shoutiness from the K-401 is completely gone. The improvement is as dramatic as when I head the comparison of the Underground Jubilee and the Hertiage Jubilee. When Roy later paired the La Scala with the large (18 Hz) Hertiage subwoofer prototype, the sound was as close to the Heritage Jubilee sound as I’ve heard from any other Heritage speaker. These are not your grandfather’s La Scala. I imagine the improvement will be similarly dramatic with the Klipschorn as well. Roy has certainly worked his magic once again. Roy also mentioned that the La Scala and Klipschorn DSP units may have a subwoofer out for use with the Heritage horn subs. This was how the demo with the sub was done. I can’t wait for these new versions to be released.
    11 points
  12. Just added the last touches on the system. Not much, but it works for now and sounds great.
    11 points
  13. This might be my first post.... I'm running an updated / old-school Dynaco Stereo 70.
    11 points
  14. The size, of the 4, should be selected by output and performance. There is not a recommended La Scala match, but I'll pick Large. You will not want or need additional subwoofers for any reason. If I were you, I'd replace any direct radiator subwoofers you have with these. They are easily special effects capable. You will not regret it! We were given impressive response curves and told a lot about the physics of the subs, that i won't discuss. The Medium goes deep enough for any music, the Large should cover most LFE effects, if not all and the XL is likely brown note capable. 😆 Choose the additional subs for the max dB output you require. They are powered, so you will not need an additional amp. The amplifier power is surprisingly low and the embedded amp allows some control of distortion. We were not given a release date, but speculation was not before Spring/Summer '24. You have plenty of time to try to time the Market. This is the Large.
    11 points
  15. This is a basic simulation of the LS bass horn in Hornresp. The K33 is in light gray and I’ve plotted the exact same horn in black but substituted the driver specs for those of the Eminence Kappa 15C. as you can see, both drivers show a peak in the 150Hz region with the 15C showing less of a drop in output. You will also note that the 15C gives up a little on the low end to the K33. Even if the sidewalls aren’t resonating(much) there is still going to be that peak in the response which will really honk if given the right(wrong) source material. This peak in the 150Hz region is well documented, and even showed up in the response curves from the stereophile review of the AL-5. Before anybody has a chance to try to pretend that I’m making this up, and that the stereophile measurements aren’t valid(I’m looking at you @OO1 ), I would like to remind you that Roy himself posted the following EQ settings for use with the LS bass section when using an active DSP crossover. 87hz, Q:3.5, +5dB 148Hz, Q:8, -7dB 380Hz, Q:5.5, +2dB I think it’s hard to realize what you are missing until you have a chance to hear the LS bass without that peak.
    11 points
  16. 11 points
  17. Good evening friends, and I am sorry for MY absence as well. Lots going on with work and all at this time of year (pipe organs demand our attention for church, Christmas performances everywhere..... Meanwhile, I wanted to certainly get a vinyl posting before or during the Christmas season. So, I dug out Vince G. and enjoying on the UTurn \ livingroom system. Here are some photos currently..
    11 points
  18. Well I got them all cleaned up using light soap and damp clothes. I went with a natural slightly tinted wax to seal and protect. We have used this over the last 20 years on a couple other wood furniture pieces we have. Yes the speakers sound awesome (running cds through it). Love em. I did some research and wanted to do some tube amps and decided on a new build from getdynaco so I got a st70 and soon to arrive pas-3 or M preamp. I also have a new turntable coming in on Monday. It will be interesting but something I’ve had on my mind for many year is to have vinyl (ones created from analog source) and tube amp with klipsch belles, klipschorn … but these LaScalas will fit the bill in this room. I do have other rooms I’ll need to look over if I do see a klipschorn near me at a fantastic price lol. The AA crossover sound great to me but I understand will need new caps for longevity. I wanted to get my new gear going and listening for a bit and then do the upgrade. So not too many changes at once. thanks again all, for the great information.
    11 points
  19. I finally had some time to report on SubFest. It was another enjoyable class/demo put on by Klipsch Chief Bonehead Roy Delgado and others. The first half day on Friday consisted of Roy talking about the idea behind the new subs based on the horn-loaded vented system first used in the KPT-1802-HLS cinema subwoofer and the Heritage Jubilee. If you are unaware, the horn-loaded vented system is unique in that both the driver and the ports in the woofer enclosure fire into the folder horn, stacking the efficiency advantages of both vented and horn-loaded system. He discussed what he learned from designing those products and what new things he learned designing these new subs. There was lots of Q&A. The others session that day was a historical look at Paul Klipsch’s quest for better bass when designing the original Klipschorn. This was presented by Klipsch Museum curator and general fountain of knowledge of all thing Klipsch, Jim Hunter. He went over what he found going though Paul’s letters with his “beta testers” who had the early units and reviewed what changes occurred because of those interactions. As a final capper to the day, we went over to the Klipsch Museum to hear something that no one has heard for decades, the original Klipschorn X-3 prototype with the original X-5 HF horn actually playing music. Museum members Iain Moore and Chris Hornbeck undertook a project over the last two years to restore it to operational condition. They found a compatible woofer (since the original is damaged and no one wanted to risk ruining it by attempting a repair) and got the Western Electric tweeter working. They also used Paul’s original plans for the tube amplifier that he used with the prototype and created a functional replica. Jim demoed it for us. While the HF only goes out to about 8 kHz, the speaker sounded surprisingly good. That evening we had a meal of steak fajitas and BBQ chicken at the Klipsch Museum Visitors Centers, featuring Roy’s secret fajita sauce. The second day was introductions to each of the four new sub models and demo sessions of each in the Klipsch lab listening room with Roy’s demo material. There were also alternating sessions to provide an opportunity for the attendees to listen to the Heritage Jubilee after an introduction by Klipsch Heritage Brand Ambassador Mike Dyer. In the morning we heard the two smaller subs, the “small” sub paired with the Sixes and the “medium” sub paired with the Nines. In the afternoon we heard the two larger subs, the “large” sub and the “extra-large” sub, both paired with La Scala. (If you are wondering why the front of La Scala top-hats are blacked out in the large and extra-large setup photos, let’s just say we got a tease of some upcoming things that we are not allowed to discuss or show at this time. There may be another Chief Bonehead class in the spring on this topic.) Here are the preliminary stats on the new sub models. Since these are still under development, this information is obviously subject to change. Dimensions are approximate. Small: 21”H x 32”W x 18”D, one 8” driver with one port, 27 Hz Medium: 26”H x 37”W x 21”D, one 8” driver with multiple ports, 24 Hz Large: 34”H x 42”W x 28”D, one 12” driver with multiple ports, 18 Hz Extra-large: 47”H x 45”W x 30”D, two 12” drivers with multiple ports, 14-15 Hz These are all active subs with DSP amps. There are plate amps built into the cabinet on the smaller three models. The extra-large may have the amp in a separate chassis. I guess at this point I imagine you are wondering, how do they sound? Well, in a word, excellent. These subs don’t sound like the usual direct radiator subs. They have a clean, ultra-low distortion sound that’s similar to what I hear from the Heritage Jubilee bass bin. Obviously, as they get bigger, they get better and are capable of more output and deeper low extension. They definitely dig down to the lower frequency limits listed above with ease. The only time I heard anything I didn’t like was during the small sub demo. There were points where I thought the demo setup seemed to “struggle” on the challenging parts. Whether this was the sub itself, the Sixes running out of gas on the peaks, the demo volume just too high for this setup, or something else, I can’t say. I would have liked to have heard the small sub with more capable mains so that there wouldn’t be any question. Other than that, I can highly recommend these subs. The large or extra-large sub would be a great match for La Scala or Klipschorn. These will be great additions to the Heritage line. There is no information on pricing at this point. Availability was discussed as maybe “spring”. However, given what happened with the Heritage Jubilee between the estimated dates and when they actually shipped, my guess would be that it will be longer than that. Thanks to everyone who helped make this class possible. Another great event. (Edit. I uploaded the pictures in a chronological order, but when I hit submit it shuffled them up. Anyone know how to prevent this?)
    11 points
  20. I'm humbled... I brought my €260 Denon micro system downstairs and hooked it up to my 1972 Heresies. Thought my €3,000 Leben CS300 tube amp would be the easy winner of this 'battle', but the Denon holds firm ground! The Denon's 40 wpc made my son come downstairs to turn down the volume. It wasn't even half open. He said his bed was shaking!!!! 😂😂😂 Of course, the Heresies are the shining stars here! PS The Denon is soooo much better than my similarly priced Marantz PM5005 entry level amplifier. So now, let's spin some vinyl!
    11 points
  21. Holy guacamole! Heard the mailman throw down a box on the porch yesterday. Checked on it last night and this box was huge. Yup, the $150 BBA box set had arrived. The box set was in a box INSIDE of an outer box and it must weigh 10#. lol Just unzipped the box and figured it was time for a tease. FINALLY a box set that's worth the money. Two double gatefolds of each show, a very nice bound book w/tons of info, a poster and an unbound book full of pics and more info. Gonna throw 'em down in a bit but I'm salivating. Here we go and I'm gonna savor the moment! Two killer shows! Better jump cause the price is gonna go up. Gonna grab a second one and just leave it sealed. Beans & weiners for another month! 😂💪
    11 points
  22. 11 points
  23. https://www.discogs.com/release/4678985-Deep-Purple-The-Book-Of-Taliesyn
    10 points
  24. Brain Salad Surgery The Moog comes alive with MC cartridge!
    10 points
  25. Hi there K104! And, you can't get that Keith Emerson Moog solo without one of these in your collection. Here is my 50th anniversary Mini-Moog Voyager signed by Robert Moog himself. One of only 100 .
    10 points
  26. https://www.discogs.com/release/1685391-Deep-Purple-Made-In-Europe
    10 points
  27. 75 here in Duckburg and the spring ritual has begun! My 1974 1st press of Utiopia sounds great! Todd Rundgren's Utopia is the debut album by the American rock band Utopia, released in October 1974 on Bearsville Records. The band was formed in 1973 by musician, songwriter, and producer Todd Rundgren who decided to expand his musical style by moving from pop-oriented rock towards progressive rock. He assembled a six-piece group that featured three keyboardists and toured as a live act. Most of the album was recorded in the studio except "Utopia", the opening track, which was recorded live in concert November 3rd,1973. The album peaked at number 34 on the Billboard 200 and critical reaction towards it was mixed.[4] Hair of the Dog is the sixth studio album by the Scottish hard rock band Nazareth, released on 3 April 1975. The album was recorded at Escape Studios, Kent, with additional recording and mixing at AIR Studios, London, and is the group's best known and highest selling release, with over two million copies sold worldwide.[3] After three albums with Deep Purple's Roger Glover producing, Manny Charlton stepped into that position, one he filled for several subsequent albums. Black Sabbath from 1972? You go Ozzy! 😂💪 Vol. 4 is the fourth studio album by English heavy metal band Black Sabbath, released in September 1972. It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band's then-manager, was listed as co-producer, though his actual involvement in the album's production was minimal. 💪
    10 points
  28. Ok, I've absent for a bit, however, just a couple days ago, I had the idea to try moving some speakers around. And after HURKING these 72 lbs. speakers up a flight of stairs (you ought to try that when you are in your 70ies ), there is a revelation !!! The Forte 4's are a totally different speaker up here in the cozy room, and the B&O Beogram 6500 system luckily and happily is an amazing matchup! Why? I can't say, but the sound is so much warmer, low end that shakes the room and floor like a pair of subwoofers! Here are a some brand new photos from this morning. I have them pulled out from the front wall 2 feet after much testing with a 28Hz. tone test and my DB-C weighted meter. Just like in the large room on the first floor, and other reviewers have found out, these get deeper in the lower range when pulled away from the wall. They are also 8.5 feet center to center and the two love seats are 11 feet from the speakers. I included a photo of the space BEHIND the listening area which is pretty much totally open. Here you go: with and without grills.....
    10 points
  29. About 4 years ago, @Blackbird gifted me a pair of Heresy speakers in pretty darned good condition. I listened to them often at work and a bit at home. @MookieStl examined them and told me they were "1.5" editions. I had to pay shipping from Florida to Missouri, but they were well worth that and even had the proper top and bottom shipping styrofoam to help them make a safe trip. I agreed at the time to: Pay shipping to receive them. Give them a good home where they would be enjoyed. Keep the shipping materials. Offer them up when I was done with them with the same deal applying going forward. No sales or gifts to anyone, they must be offered up here to the next recipient when you're done enjoying them. You must be willing to accept the above terms and conditions. There is no time limit on "done". Just give them a good home and listen to them. Ideally, you'll have them a while and pass the joy along someday. I will accept PMs starting today, and I will make the decision on January 5th as to who they go to. That person must provide a ship-to zip code (U.S. only, sorry) and be willing and ready to paypal the cost of the shipping on that day, providing that the amount isn't beyond your budget. If the amount is too much for you, they go to the next person I choose. This is not on a first-come first-served basis. Replies to this thread are not being considered, only PMs. On January 5th, I will announce here who gets them. Tell me what speakers you have now, and why you'd like to own a set of Heresys. Tell me why you should be the person that gets them next. Tell me you agree to the terms. My reputation here is solid; this is not a scam. The original thread is here:
    10 points
  30. I do have to apologise about my absence in posting records lately However I have a good reason? Granddaughter 3.5yo and Wife decided to take over my music room for Christmas for a few weeks So I can still play in background mode via the Bluesound Node as the whole system is obstructed Don’t believe me - ha or should I say HoHoHo and just post a picture They even put trolls on my TT Wishing you all a veryMerry Christmas 🎅 and I know it’s a day or two early as we are 12 hours ahead in Australia 🇦🇺 but I will be head chef on Christmas Day so I may only have a quick check on the forum to see what’s new 🤘 Oh and I forgot to mention that Darth Vader has joined the tree life this year
    10 points
  31. ACH JA ...I couldn't say NO again , since today I have my NoS Entré 1 MC in operation. Originally manufactured by Soltear Acoustics Inc. Japan. The Lentek Entré 1 MC was designed by Mr. Matsudaira, who began his career as a designer at Tokyo Sound Co. in 1959. For ten years he worked for NHK (Japanese National Broadcast) where he designed tonearms and cartridges. In 1967 he moved to SUPEX as chief designer. From 1970 to the late 1990s, he worked as a senior designer for many famous brands, including Entré, Miyabi, Kouetsu, Audio Craft and Air Tight. In 2003, he founded his own company My Sonic Lab in Japan. Technical specifications: Frequency Response: 10 Hz – 50.000 Hz Output Voltage: 0,2 mV (3.54cm/s, 1000 Hz, 45 degree) Channel Balance: within 1 db (1000 Hz) Channel Separation: better than 28 db (1000 Hz) Compliance: 10 x 10-6cm/dyne Impedance: 3.0 ohms Recommended Load Resistance: 100 ohms Tracking Force: 1.8 grams + 0.3 grams Vertical Tracking: 20 Degree Stylus: diamond Elliptical, with a radius of 0.3 mil x 0.8 mil Mass: 5.8 grams Mounting: ½” or 12.7 mm Runs on 100 Ohm Load & 74 dB amplification, sounds simply enchanting!
    10 points
  32. Alright @MicroMara this will be my place come December! That rock and lots of others mean the house will never slide down the mountain!! It's one solid, dry foundation!
    10 points
  33. Sitting next to my wood burning stove, enjoying a glass of Leffe Blond and playing some great music!
    10 points
  34. Wellllllll, look at you guys go! The only thing I can tell ya is it'll be a cold day before I'm sittin on the floor again. There was a time though when a couple fems and I sat cross legged on the floor totally nekkie laffin at each other. Sure was a rough time gettin up and changin albums though. 😂
    10 points
  35. So far I was not spinning in here so maybe first try. Lately it's my wifes favourite record.
    10 points
  36. There will 4 in the line. One to go with khorns and la scalas. One to go with Cornwalls, fortes and heresys. And two smaller ones. All based on the hornloaded vented system. They sound a little different……
    10 points
  37. I am so content with the music reaching my ears. It just feels all worth it to reach this level of enjoyment. Klipsch Rocks!!!!!!!!!!!!!!!!!! 👍
    10 points
  38. One of my little girls had a birthday yesterday so I made burgers and we listened to music on the PA outside until after dark.
    10 points
  39. I have these two photos... one of my mom when she was about 19 (an Olan Mills photo no less), and one of my dad in WWII.
    10 points
  40. Picked these up from https://paducahhometheater.com/ at a great discount. About $3500 to my door. So far, the sound has impressed me. I do like the metal grill as that makes them cat proof.
    9 points
  41. If we're going to show some pics then we might as well show one with some clothes on.
    9 points
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